Label: Challenge Classics
Format: CD
Barcode: 0608917222227
Catalog number: CC 72222
Releasedate: 31-07-06
Format: CD
Barcode: 0608917222227
Catalog number: CC 72222
Releasedate: 31-07-06
- This twenty-second and last volume of cantata recordings contains two of Bach's latest cantatas (BWV 30 and 80), including the secular model for BWV 30 and Wilhelm Friedemann Bach's arrangement of two movements from BWV 80 dating from after 1750
Between 1999 and 2004, Koopman, a conductor, musicologist, organist, and harpsichordist, recorded the complete cantatas by Johann Sebastian Bach with the Amsterdam Baroque Orchestra and Choir, which he founded in 1979.
This twenty-second and last volume of cantata recordings contains two of Bach's latest cantatas (BWV 30 and 80), including the secular model for BWV 30 and Wilhelm Friedemann Bach's arrangement of two movements from BWV 80 dating from after 1750. Also included are the four Kyrie-Gloria masses of the late 1730s; they are very closely associated with the cantata repertoire of the 1720s. These masses are based on selected movements of cantatas dating from the period 1723-6; after an interval of ten or so years Bach reworked them, in most cases very thoroughly. Renowned Bach specialist Ton Koopman (1944) was awarded the 2006 Bach Medal by the city of Leipzig 05 Jun 2006, the final day of this year's annual Leipzig Bach Festival.
The award honors the significant contribution of the 61-year-old Dutchman to Bach performance and scholarship. Koopman performed at the festival, which is run in conjunction with the Bach-Leipzig Archive, with the Amsterdam Baroque Orchestra.
He studied organ (Simon C. Jansen), harpsichord (Gustav Leonhardt) and musicology in Amsterdam and was awarded the Prix d'Excellence for both instruments. As an organist he has performed on the most prestigious historical instruments of Europe, and as a harpsichord player and conductor of his Amsterdam Baroque Orchestra (founded 1979) & Choir (1993) he has been a regular guest at venues which include the Concertgebouw in Amsterdam, the Theatre des Champs-Elysees in Paris, the Philharmonie in Munich, the Alte Oper in Frankfurt, the Lincoln Center in New York, and leading concert halls in Vienna, London, Berlin, Brussels, Sydney, Melbourne, Madrid, Rome, Salzburg, Tokyo and Osaka.
Ton Koopman edited the complete Handel Organ Concertos for Breitkopf & Härtel and will edit a number of Buxtehude works for Carus Verlag. He is president of the International Dieterich Buxtehude Society.
He recorded a.o. for Erato, Teldec, Sony, Philips and DGG. In 2003 he created Antoine Marchand, his own sub-label of Challenge Records. Here he publishes these Complete Bach Cantatas, as well as his other recent and future recordings.
This twenty-second and last volume of cantata recordings contains two of Bach's latest cantatas (BWV 30 and 80), including the secular model for BWV 30 and Wilhelm Friedemann Bach's arrangement of two movements from BWV 80 dating from after 1750. Also included are the four Kyrie-Gloria masses of the late 1730s; they are very closely associated with the cantata repertoire of the 1720s. These masses are based on selected movements of cantatas dating from the period 1723-6; after an interval of ten or so years Bach reworked them, in most cases very thoroughly. Renowned Bach specialist Ton Koopman (1944) was awarded the 2006 Bach Medal by the city of Leipzig 05 Jun 2006, the final day of this year's annual Leipzig Bach Festival.
The award honors the significant contribution of the 61-year-old Dutchman to Bach performance and scholarship. Koopman performed at the festival, which is run in conjunction with the Bach-Leipzig Archive, with the Amsterdam Baroque Orchestra.
He studied organ (Simon C. Jansen), harpsichord (Gustav Leonhardt) and musicology in Amsterdam and was awarded the Prix d'Excellence for both instruments. As an organist he has performed on the most prestigious historical instruments of Europe, and as a harpsichord player and conductor of his Amsterdam Baroque Orchestra (founded 1979) & Choir (1993) he has been a regular guest at venues which include the Concertgebouw in Amsterdam, the Theatre des Champs-Elysees in Paris, the Philharmonie in Munich, the Alte Oper in Frankfurt, the Lincoln Center in New York, and leading concert halls in Vienna, London, Berlin, Brussels, Sydney, Melbourne, Madrid, Rome, Salzburg, Tokyo and Osaka.
Ton Koopman edited the complete Handel Organ Concertos for Breitkopf & Härtel and will edit a number of Buxtehude works for Carus Verlag. He is president of the International Dieterich Buxtehude Society.
He recorded a.o. for Erato, Teldec, Sony, Philips and DGG. In 2003 he created Antoine Marchand, his own sub-label of Challenge Records. Here he publishes these Complete Bach Cantatas, as well as his other recent and future recordings.
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1Ein Feste Burg ist unser Gott BWV 80Chorus: “Ein feste Burg ist unser Gott”04:56
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1Missa in F, BWV 233Kyrie Chorus03:08
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1Angenehmes Wiederau, freue dich in deinen Auen BWV 30aChorus: “Angenehmes Wiederau, freue dich in deinen Auen”03:33
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2Ein Feste Burg ist unser Gott BWV 80Aria and Chorale (Soprano, Bass): “Alles, was von Gott geboren/Mit unser Macht”03:31
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2Missa in F, BWV 233Gloria Chorus05:24
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2Angenehmes Wiederau, freue dich in deinen Auen BWV 30aRecitative (Bass, S, A, T): “So ziehen wir in diesem Hause”00:55
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3Ein Feste Burg ist unser Gott BWV 80Recitative (Bass): “Erwäge doch, Kind Gottes”01:44
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3Missa in F, BWV 233Domine Deus Bass03:23
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3Angenehmes Wiederau, freue dich in deinen Auen BWV 30aAria (Bass): “Willkommen im Heil, willkommen in Freuden”04:40
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4Ein Feste Burg ist unser Gott BWV 80Aria (Soprano): “Komm in mein Herzenshaus”02:45
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4Missa in F, BWV 233Qui tollis peccata mundi Soprano05:13
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4Angenehmes Wiederau, freue dich in deinen Auen BWV 30aRecitative (Alto): “Da heute dir, gepriesner Hennikke”00:35
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5Ein Feste Burg ist unser Gott BWV 80Chorale (T, B): “Und wenn die Welt voll Teufel wär”03:17
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5Missa in F, BWV 233Quoniam tu solus sanctus Alto03:41
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5Angenehmes Wiederau, freue dich in deinen Auen BWV 30aAria (Alto): “Was die Seele kann ergötzen04:28
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6Ein Feste Burg ist unser Gott BWV 80Recitative (Tenor): “So stehe dann bei Christi blutgefärbten Fahne01:15
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6Missa in F, BWV 233Cum Sancto Spiritu Chorus02:33
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6Angenehmes Wiederau, freue dich in deinen Auen BWV 30aRecitative (Bass): “Und wie ich jederzeit bedacht”00:35
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7Ein Feste Burg ist unser Gott BWV 80Aria (Duet: Alto, Tenor): “Wie selig sind doch die, die Gott im Munde tragen”03:30
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7Missa in A, BWV 234Kyrie Chorus06:16
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7Angenehmes Wiederau, freue dich in deinen Auen BWV 30aAria (Bass): “Ich will dich halten und mit dir walten”05:28
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8Ein Feste Burg ist unser Gott BWV 80Chorale: “Das Wort, sie sollen lassen stahn”01:06
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8Missa in A, BWV 234Gloria Chorus05:14
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8Angenehmes Wiederau, freue dich in deinen Auen BWV 30aRecitative (Soprano): “Und obwohl sonst der Unbestand”00:50
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9Missa in G, BWV 236Kyrie Chorus02:23
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9Missa in A, BWV 234Domine Deus Bass05:30
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9Angenehmes Wiederau, freue dich in deinen Auen BWV 30aAria (Soprano): “Eilt, ihr Stunden, wie ihr wollt”04:04
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10Missa in G, BWV 236Gloria Chorus04:59
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10Missa in A, BWV 234Qui tollis peccata mundi Soprano06:45
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10Angenehmes Wiederau, freue dich in deinen Auen BWV 30aRecitative (Tenor): “So recht! Ihr seid mir werte Gäste”00:41
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11Missa in G, BWV 236Gratias agimus tibi Bass04:54
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11Missa in A, BWV 234Quoniam tu solus sanctus Alto03:18
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11Angenehmes Wiederau, freue dich in deinen Auen BWV 30aAria (Tenor): “So wie ich die Tropfen zolle”02:28
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12Missa in G, BWV 236Domine Deus Soprano, Alto03:36
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12Missa in A, BWV 234Cum Sancto Spiritu Chorus03:30
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12Angenehmes Wiederau, freue dich in deinen Auen BWV 30aRecitative (S, A, B): “Drum, angenehmes Wiederau”01:06
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13Missa in G, BWV 236Quoniam tu solus sanctus Tenor04:53
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13Gaudete omnes populiChorus: Gaudete omnes populi05:00
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13Angenehmes Wiederau, freue dich in deinen Auen BWV 30aChorus: “Angenehmes Wiederau, prange nun in deinen Auen!”03:40
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14Missa in G, BWV 236Cum Sancto Spiritu Chorus03:43
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14Gaudete omnes populiChorale: Manebit verbum Domini03:40
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14Missa in g, BWV 235Kyrie Chorus06:42
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15Freue dich, erlöste Schar BWV 30Chorus: “Freue dich, erlöste Schar”03:40
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15Missa in g, BWV 235Gloria Chorus03:16
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16Freue dich, erlöste Schar BWV 30Recitative (Bass): “Wir haben Rast, und des Gesetzes Last”00:45
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16Missa in g, BWV 235Gratias agimus tibi Bass02:48
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17Freue dich, erlöste Schar BWV 30Aria (Bass): “Gelobet sei Gott, gelobet sein Namen”04:37
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17Missa in g, BWV 235Domine Fili unigenite Alto05:02
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18Freue dich, erlöste Schar BWV 30Recitative (Alto): “Der Herold kömmt und meldt den König an00:33
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18Missa in g, BWV 235Qui tollis peccata mundi Tenor03:44
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19Freue dich, erlöste Schar BWV 30Aria (Alto): “Kommt, ihr angefochtnen Sünder”04:32
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19Missa in g, BWV 235Cum Sancto Spiritu Chorus04:31
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20Freue dich, erlöste Schar BWV 30Chorale: “Eine Stimme läßt sich hören”01:04
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21Freue dich, erlöste Schar BWV 30Recitative (Bass): “So bist du denn, mein Heil, bedacht”00:56
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22Freue dich, erlöste Schar BWV 30Aria (Bass): “Ich will nun hassen und alles lassen”05:26
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23Freue dich, erlöste Schar BWV 30Recitative (Soprano): “Und ob wohl sonst der Unbestand”00:52
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24Freue dich, erlöste Schar BWV 30Aria (Soprano): “Eilt, ihr Stunden, kommt herbei”04:07
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25Freue dich, erlöste Schar BWV 30Recitative (Tenor): “Geduld”01:05
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26Freue dich, erlöste Schar BWV 30Chorus: “Freue dich, geheilgte Schar”03:36