Label: Fineline Legacy
Format: CD
Barcode: 0608917241327
Catalog number: FL 72413
Releasedate: 24-04-09
Format: CD
Barcode: 0608917241327
Catalog number: FL 72413
Releasedate: 24-04-09
Abbie de Quant: flute | Elizabeth van Malde: piano
The title of this album, “Music in Motion” can be interpreted in various ways: music which concretely invites to movement - dancing - and a more abstract approach to it.
The character of a composition is amongst others defined through rhythmic elements: the country of origin of a composer can often be recognized in it, for example in the music of Prokofiev, Gubaidulina and Taktakishvili. The influence of folk music is clearly present in their work. Music and Motion are intrinsicly connected with each other in a scale of nuances of the senses: happy, sad, vital, sensual, flowing, lightfooted, temperamental, etc.
The abstract interpretation of the theme can be found with Dutch composers.
In the composition of Du Bois various sorts of musical movements in a dialogue between flute and piano are sought for. Zuidam looked for movement- and developmental possibilities between both instruments. The slow parts in this program (i.e. Rachmaninov) have in their lyric a flowing, stirring movement which strengthens the singing element.
The title of this album, “Music in Motion” can be interpreted in various ways: music which concretely invites to movement - dancing - and a more abstract approach to it.
The character of a composition is amongst others defined through rhythmic elements: the country of origin of a composer can often be recognized in it, for example in the music of Prokofiev, Gubaidulina and Taktakishvili. The influence of folk music is clearly present in their work. Music and Motion are intrinsicly connected with each other in a scale of nuances of the senses: happy, sad, vital, sensual, flowing, lightfooted, temperamental, etc.
The abstract interpretation of the theme can be found with Dutch composers.
In the composition of Du Bois various sorts of musical movements in a dialogue between flute and piano are sought for. Zuidam looked for movement- and developmental possibilities between both instruments. The slow parts in this program (i.e. Rachmaninov) have in their lyric a flowing, stirring movement which strengthens the singing element.
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1Sonata no. 2 op. 94 (1942-44)Moderato06:25
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2Sonata no. 2 op. 94 (1942-44)Scherzo- Presto05:21
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3Sonata no. 2 op. 94 (1942-44)Andante03:34
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4Sonata no. 2 op. 94 (1942-44)Allegro con brio07:17
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5Bewegingen (Movements)07:04
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6Sonata (1968)Allegro cantabile05:54
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7Sonata (1968)Aria : Moderato con moto05:06
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8Sonata (1968)Allegro scherzando05:57
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9Four Movements 2007Liberamente ed espressivo03:25
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10Four Movements 2007Mosso01:58
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11Four Movements 2007Sostenuto , con calore01:35
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12Four Movements 2007Cantabile02:46
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13Sounds of the ForestSounds of the Forest03:03
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14Allegro Rustico05:19
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15Vocalise, op. 34 no. 14Lentamente, molto cantabile04:25