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Works for violin solo
Johann Sebastian Bach - Eugène Ysaÿe

Works for violin solo

Liza Ferschtman

Label: Challenge Classics
Format: CD
Barcode: 0608917235128
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Catalog number: CC 72351
Releasedate: 04-01-10
Violinist Liza Ferschtman shows us her vulnerability, her utmost musicality and her strength in this exquisite performance of the soloworks for violin of J.S. Bach and Eugène Ysaÿe. This is as far we know the first recording of these two composers side by side on a cd. And they go só well together. Liza transcends the traumatic time modern violinists have with playing Bach solo on a modern violin: she really gets to the soul of Bach. The solo violin works of Eugène Ysaÿe are, like Bachs solo works, among the standard repertoire to practice and practice a lot! To put the men on one cd is a stroke of genius!
  • Violinist Liza Ferschtman is a young, rising star
  • She plays in all the main concerthalls in The Netherlands more than regularly
  • Liza has her own festival, the annual Delft Chamber Music Festival
  • She also is becoming more and more known abraod, for instance in japan, where she plays in January 2010
  • Her last album was a duo-cd with Beethoven and Schubert with pianist Inon Barnatan
  • Now Liza takes the big leap and performs solo pieces by J.S. Bach and Eugène Ysaÿe!
  • Her performance is daring, touching, vulnarable and at the same time very strong
  • He star will be rising more and more with this beatiful new album
There are two ages between the lives and work of  Johann Sebastian Bach and Eugène Ysaÿe. Two ages of difference and of similarities.
Bach emerged as a phenomenal composer, a genius, in the first half of the 18th Century. He left an enormous repertoire. Ysaÿe was to be a famous violinist in the beginning of the 20th Century. He also composed, but produced not as much as his illustrious predecessor.

Ysaÿe, violinist to the backbone, took the Sonatas and Partitas of Bach as an inspiration for his Sonatas for Violinsolo (1924). Just like Bach he put the Sonata nr. 1 in the key of g minor. Also the dividing of the Sonata in four movements – alternating between slow and fast – he derived from Bach. This composer was, as becomes perfectly clear, his big example.