Label: Challenge Classics
Format: SACD hybrid
Barcode: 0608917236125
Catalog number: CC 72361
Releasedate: 04-06-10
Format: SACD hybrid
Barcode: 0608917236125
Catalog number: CC 72361
Releasedate: 04-06-10
A refreshing new recording of the Beethoven symphonies (volume 1), through the eyes of conductor Jan Willem de Vriend and his orchestra. De Vriend's name as a symphonic conductor is emerging fast now in the music world, and this first volume of the Beethoven series is a fine musical signature, with which he and his musicians perpetuate themselves.
- Storyteller Jan Willem de Vriend tells this symphonic story impressively
- Not only a very musical interpretation but everything is embedded in extensive musicological study ánd knowlegde of the period in which Beethoven lived
- Jan Willem de Vriend is becoming more and more prolific and visible as a symphonic conductor and does extremely well in this role
- Conductor Jan Willem de Vriend's name is now settled and known worldwide
- A recording full of energy and spirit, in which every note is played with a sparkling intensity
A refreshing new recording of the Beethoven symphonies (volume 1), through the eyes of conductor Jan Willem de Vriend and his orchestra. De Vriend's name as a symphonic conductor is emerging fast now in the music world, and this first volume of the Beethoven series is a fine musical signature, with which he and his musicians perpetuate themselves.
In the linernotes with this CD we can read: If you want to perform his symphonies and surely if you want to record them, you must make a thorough study of Beethoven’s personal situation and that of the world around him. Here we can only set down a few short brushstrokes on an enormous empty metaphoric canvas. A canvas that must be filled completely, preferably painted true to life right down to the smallest details, using a fantastic palette of colours. When it is finished, we will see Beethoven, situated in his time. The painting will tell a story.
With this new Beethoven cycle conductor Jan Willem de Vriend, together with the Netherlands Symphony Orchestra, ventures to tell a new story. His story. With enormous passion and enthusiasm, he has immersed himself in the life and work of Beethoven. To gain the best possible understanding of Beethoven, he says, you must know something about the people around him: for example, his teachers Albrechtsberger and Neefe, who watched his career. You need to know what it was like in Bonn when he grew up there. You need to know that his grandfather enjoyed trading wine and that Beethoven therefore took pleasure in allowing himself to be paid in wine, for example by his publisher. You need to know where his roots are. You need to know the music of his pupils, such as Ries and Moscheles. Jan Willem de Vriend has conducted the music of Beethoven, of people who composed for him, of his contemporaries. He has been working on this intensively for the past twenty years.
This recording of the Fourth and Sixth symphonies is an interpretation of Jan Willem de Vriend and his orchestra, belonging to a certain moment in time and recounted entirely in sounds. It is a story understood in detail and given shape in masterly fashion. (Valentine Laout - linernotes)
In the linernotes with this CD we can read: If you want to perform his symphonies and surely if you want to record them, you must make a thorough study of Beethoven’s personal situation and that of the world around him. Here we can only set down a few short brushstrokes on an enormous empty metaphoric canvas. A canvas that must be filled completely, preferably painted true to life right down to the smallest details, using a fantastic palette of colours. When it is finished, we will see Beethoven, situated in his time. The painting will tell a story.
With this new Beethoven cycle conductor Jan Willem de Vriend, together with the Netherlands Symphony Orchestra, ventures to tell a new story. His story. With enormous passion and enthusiasm, he has immersed himself in the life and work of Beethoven. To gain the best possible understanding of Beethoven, he says, you must know something about the people around him: for example, his teachers Albrechtsberger and Neefe, who watched his career. You need to know what it was like in Bonn when he grew up there. You need to know that his grandfather enjoyed trading wine and that Beethoven therefore took pleasure in allowing himself to be paid in wine, for example by his publisher. You need to know where his roots are. You need to know the music of his pupils, such as Ries and Moscheles. Jan Willem de Vriend has conducted the music of Beethoven, of people who composed for him, of his contemporaries. He has been working on this intensively for the past twenty years.
This recording of the Fourth and Sixth symphonies is an interpretation of Jan Willem de Vriend and his orchestra, belonging to a certain moment in time and recounted entirely in sounds. It is a story understood in detail and given shape in masterly fashion. (Valentine Laout - linernotes)
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1Symphony no. 4 op. 60 in B flat majorAdagio - Allegro vivace11:45
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2Symphony no. 4 op. 60 in B flat majorAdagio08:19
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3Symphony no. 4 op. 60 in B flat majorAllegro molto e vivace05:41
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4Symphony no. 4 op. 60 in B flat majorAllegro ma non troppo07:10
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5Symphony no. 6 op. 68Allegro ma non troppo ? Angenehme, heitere Empfindungen, welche bei der Ankunft auf dem Lande im Menschen erwachsen11:30
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6Symphony no. 6 op. 68Andante molto moto ? Szene am Bach11:49
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7Symphony no. 6 op. 68Allegro ? Lustiges Zusammensein der Landleute05:10
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8Symphony no. 6 op. 68Allegro ? Donner. Sturm03:51
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9Symphony no. 6 op. 68Allegretto ? Hirtengesang. Wohltätige, mit Dank an die Gottheit verbundene Gefühle nach dem Sturm09:12