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The unkown Beethoven - Works for violoncello & piano
Ludwig van Beethoven

The unkown Beethoven - Works for violoncello & piano

Julius Berger & José Gallardo

Label: Challenge Classics
Format: CD
Barcode: 0608917250428
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Catalog number: CC 72504
Releasedate: 07-01-11
After in-depth studies of cellist Julius Berger he came to the conclusion that it is proven that the arrangement of the String Trio Op. 3 of 1794 was created and published under the composer’s own eyes, in Beethoven's immediate sphere of influence. The quality of the work, the quality of Beethoven is apparant also in this arrangements which are magnificently played by Berger and Gallardo. The original key of C minor of the Mandolin sonatas is also used in the arrangement for piano and violoncello. The version on this cd is by Julius Berger. “Beethoven at his most elegant”; they are miniature, refulgent jewels" was the opinion of Steven Isserlis and it is the same opinion of Julius Berger himself!

 
  • Julius Berger is mastercellist and internationally very renowned
  • José Gallardo received numerous national and international awards
  • Julius Berger devotes a major part of his international concert and recording activities to the rediscovery of the oeuvre of Boccherini und Leonardo Leo and the earliest music ever written for violoncello, the Ricercari by Antonii and Gabrielli
  • His performances and CD editions of the works for violoncello and piano are acclaimed throughout the world
  • This CD throws a beautiful light on the Unknown-Beethoven, forgotten works in the spotlight of one of the most famous composers ever!

 
Based on my in-depth research and the many clues – which can be elucidated here only in part – I concur with Harro Schmidt, the editor of the sheet music publication by Schott Music Mainz (1984). In his preface he writes: “Contrary to all the traditional timidity in attribution and doubts about authenticity passed on to us by musicologists –  Riemann, Hess and Kinsky, for example – I regard it as proven that we have here an arrangement that was created and published under the composer’s own eyes in BEETHOVEN’S IMMEDIATE SPHERE OF INFLUENCE.”

Beethoven travelled to Prague, where he met Countess Josephine von Clary-Aldringen (1777 – 1828, married since 1797 as Countess Clamm-Gallas). She played the mandolin. Beethoven wrote several works for mandolin and piano for her; of these, four have been preserved arranged by the composer for violoncello and piano. Beethoven wrote for a mandolin tuned G-D-A-E, thus the transcription for violoncello presented no problem.

Already in 1990, Steven Isserlis edited the Variations WoO 44b for Violoncello for Faber Music Ltd., and Peters Verlag published a version of the Sonatina WoO 43a by the cellist J. Stutschewsky as early as 1931, although in D Minor, not in the original key of C Minor. I have chosen the arrangement in the original keys and as close to the original as possible.

Like Steven Isserlis, I believe that these works show “Beethoven at his most elegant”; they are miniature, refulgent jewels, which José Gallardo and I play with the greatest pleasure and success. (source: linernotes written by Julius Berger)