Label: Challenge Classics
Format: SACD hybrid
Barcode: 0608917251821
Catalog number: CC 72518
Releasedate: 27-09-11
Format: SACD hybrid
Barcode: 0608917251821
Catalog number: CC 72518
Releasedate: 27-09-11
The famous tenor Christoph Prégardien regularly works together with ensembleKONTRASTE. On this new cd “Wanderer” are songs by Schumann, Killmayr & Mahler, arranged for chamber ensemble by Marcus Reißenberger. Well-known works have a whole new and fresh glow this way and the superb musicians of the ensemble together with the intensity of the excellent voice of Prégardien makes this a classical wanna-have!
- Part of the 'Aangenaam Klassiek' campaign
- Worldfamous musician works regularly with EnsembleKontraste
- “Die schöne Müllerin” a earlier cd with Christoph Prégardien was awarded the Midem ‘Record of the Year’ 2009 at MIDEM, the world’s largest music industry trade fair
- The duo Christoph Prégardien/Michael Gees also received the MIDEM ‘Vocal Recitals’ Award 2009
- Another cd with Prégardien with Challenge and very likely to be a 'winner' again
- Well-known pieces in a different light: a wanna-have this album!
Not even our contemporary inclination towards ‘authenticity’ and ‘loyalty to the composer’s intentions’ has been able to stop the trend of adapting scores for a different instrumentation than what the composer originally had in mind. The rapidly growing number of smallish ensembles with combinations of instruments for which very little music is available has even proved to be an added incentive in this direction, leading towards a new development within classical music. Not infrequently, a particular interest is shown in lieder which were originally written for solo voice with piano accompaniment. Sometimes the composers themselves put a small instrumental ensemble or even a complete symphony orchestra in the place of the original piano part, but it is not unusual for others to undertake this task.
One of the composers who adapted a piano score for a complete orchestra was Gustav Mahler (1860-1911), and the orchestration for his Lieder eines fahrenden Gesellen (Songs of a Wayfarer, written in 1883-1885) followed the piano version so quickly that the very first performance in 1886 immediately featured the orchestra. In 1920, Arnold Schoenberg created a new version for flute, clarinet, harmonium, piano, string quintet and percussion, and this instrumentation was taken by the ensemble KONTRASTE as the starting point for a project called Wanderer, in collaboration with the tenor Christoph Prégardien. It revolves around Mahler’s Lieder eines fahrenden Gesellen as well as sixteen lieder by Robert Schumann, which were arranged for this project by Marcus Reiβenberger. The idea was to retain the liveliness heard in the piano accompaniment while at the same time creating an instrumental colour palette that far surpassed it. A sort of intermezzo is formed by four lieder by contemporary composer Wilhelm Killmayer, who wrote his own instrumentation to fit in with the idiom used in the lieder of Mahler and Schumann. (from the linernotes written by Paul Korenhof)
One of the composers who adapted a piano score for a complete orchestra was Gustav Mahler (1860-1911), and the orchestration for his Lieder eines fahrenden Gesellen (Songs of a Wayfarer, written in 1883-1885) followed the piano version so quickly that the very first performance in 1886 immediately featured the orchestra. In 1920, Arnold Schoenberg created a new version for flute, clarinet, harmonium, piano, string quintet and percussion, and this instrumentation was taken by the ensemble KONTRASTE as the starting point for a project called Wanderer, in collaboration with the tenor Christoph Prégardien. It revolves around Mahler’s Lieder eines fahrenden Gesellen as well as sixteen lieder by Robert Schumann, which were arranged for this project by Marcus Reiβenberger. The idea was to retain the liveliness heard in the piano accompaniment while at the same time creating an instrumental colour palette that far surpassed it. A sort of intermezzo is formed by four lieder by contemporary composer Wilhelm Killmayer, who wrote his own instrumentation to fit in with the idiom used in the lieder of Mahler and Schumann. (from the linernotes written by Paul Korenhof)
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1Arrangements for small ensembleFrühlingsfahrt op. 45,202:46
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2Arrangements for small ensembleEintritt op. 82,102:11
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3Arrangements for small ensembleIn der Fremde op. 39,801:15
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4Arrangements for small ensembleWaldesgespräch op. 39,302:05
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5Arrangements for small ensembleMondnacht op. 39,503:57
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6Arrangements for small ensembleEinsame Blumen op. 8202:05
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7Arrangements for small ensembleTrost im Gesang op. 14201:57
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8Arrangements for small ensembleSehnsucht nach der Waldgegend op. 35,502:10
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9Arrangements for small ensembleWanderung op. 35,701:18
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10Arrangements for small ensembleHerberge op. 8202:33
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11Arrangements for small ensembleEs leuchtet meine Liebe op. 127,301:23
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12Arrangements for small ensembleDein Angesicht op. 127,201:53
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13Arrangements for small ensembleLehn Deine Wang op. 142,200:44
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14Arrangements for small ensembleMein Wagen rollet langsam op. 142,402:52
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15Arrangements for small ensembleAbschied op. 8202:32
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16Arrangements for small ensembleDer Dichter spricht? from ?Kinderszenen? op. 1501:45
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17Arrangements for small ensembleIn lieblicher Bläue10:04
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18Arrangements for small ensembleDer Mensch02:12
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19Arrangements for small ensembleWie Wolken01:33
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20Arrangements for small ensembleGriechenland03:27
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21Arrangements for small ensembleWenn mein Schatz Hochzeit macht03:35
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22Arrangements for small ensembleGing heut morgen übers Feld04:18
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23Arrangements for small ensembleIch hab? ein glühend Messer02:53
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24Arrangements for small ensembleDie zwei blauen Augen von meinem Schatz05:10