Label: Challenge Classics
Format: SACD hybrid
Barcode: 0608917253924
Catalog number: CC 72539
Releasedate: 25-05-12
Format: SACD hybrid
Barcode: 0608917253924
Catalog number: CC 72539
Releasedate: 25-05-12
The chalumeau is in the spotlight on this new album of Ars Antiqua Austria, with music of the Austrian composer Graupner. Christoph Graupner is considered one of the most important composers for chalumeau. He knew how to use the instrument skillfully -despite its limited tonal range - for sacred and secular music, and he may be seen as one of the most innovative composers and sound experimenters of the 18th Century.
- Christoph Graupner is considered one of the most important composers for chalumeau
- Graupner can be seen as one of the most innovative composers and sound experimenters of the 18th Century
- Ars Antiqua Austria's recording of Viviani's "Capricci Armonici" received a Cannes Classical Award 2002
- Gunar Letzbor is internationally seen as an violinist that plays dazzling, with an impeccable intonation
- Ars Antiqua Austria plays on period instruments
- Ars Antiqua Austria is an important ensemble in the early music world and the group of musicians play very vividly and with expression
- Gunar Letzbor and his musicians have profound knowledge of their Austrian musical heritage, especially the Viennese baroque period
He was a contemporary of J.S. Bach and J.J.Fux but his name is not well-known because his employer Ernst Ludwig obliged him to the function of Kapellmeister in Darmstadt: Christoph Graupner. The composer never visited Vienna in his life!
Ernst Ludwig secured the lifelong stay of Graupner in Darmstadt in 1723, by a substantial salary increase, which made him, as a court conductor, the highest paid orchestral-leader of his time and prevented at the same time that he migrated to Leipzig, where they had offered him the post of cantor. After that another 37 years followed in the service of the court in Darmstadt. Graupner eventually went blind in 1760 and therefore in the last six years of his life, was no longer actively conducting the orchestra.
The instrument chalumeau is in the spotlight on this new album of Ars Antiqua Austria, with music of the Austrian composer Graupner. The chalumeau was probably developed in the late 17th Century by the Nuremberg instrument builder and inventor of the clarinet, Johann Christoph Denner (1655-1707) and was structurally and acoustically optimized in such a way that it has been used by many composers of the Baroque period and the early (pre-) classical music period, for concerts, suites, arias and chamber music. The chalumeau is forerunner of the clarinet, but the two instruments existed parallel to each other in the 18th century. It was not until the late Baroque era the loud and powerful baroque clarinet became the more popular one and the chalumeau slowly disappeared from the musical scene.
Christoph Graupner is considered one of the most important composers for chalumeau. He knew how to use the instrument skillfully -despite its limited tonal range - for sacred and secular music, and he can be seen as one of the most innovative composers and sound experimenters of the 18th Century.
Ernst Ludwig secured the lifelong stay of Graupner in Darmstadt in 1723, by a substantial salary increase, which made him, as a court conductor, the highest paid orchestral-leader of his time and prevented at the same time that he migrated to Leipzig, where they had offered him the post of cantor. After that another 37 years followed in the service of the court in Darmstadt. Graupner eventually went blind in 1760 and therefore in the last six years of his life, was no longer actively conducting the orchestra.
The instrument chalumeau is in the spotlight on this new album of Ars Antiqua Austria, with music of the Austrian composer Graupner. The chalumeau was probably developed in the late 17th Century by the Nuremberg instrument builder and inventor of the clarinet, Johann Christoph Denner (1655-1707) and was structurally and acoustically optimized in such a way that it has been used by many composers of the Baroque period and the early (pre-) classical music period, for concerts, suites, arias and chamber music. The chalumeau is forerunner of the clarinet, but the two instruments existed parallel to each other in the 18th century. It was not until the late Baroque era the loud and powerful baroque clarinet became the more popular one and the chalumeau slowly disappeared from the musical scene.
Christoph Graupner is considered one of the most important composers for chalumeau. He knew how to use the instrument skillfully -despite its limited tonal range - for sacred and secular music, and he can be seen as one of the most innovative composers and sound experimenters of the 18th Century.
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1Concerto a 2 Chalumeaux, 2 Violis. Viola e Cembalo C-Dur GWV 303Vivace04:20
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2Concerto a 2 Chalumeaux, 2 Violis. Viola e Cembalo C-Dur GWV 303Andante03:33
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3Concerto a 2 Chalumeaux, 2 Violis. Viola e Cembalo C-Dur GWV 303Allegro03:48
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4Sonata per Cembalo obligato e Violino g-Moll GWV 709Largo02:34
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5Sonata per Cembalo obligato e Violino g-Moll GWV 709Allegro01:45
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6Sonata per Cembalo obligato e Violino g-Moll GWV 709Andante01:58
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7Sonata per Cembalo obligato e Violino g-Moll GWV 709Vivace02:35
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8Ouverture a 3 Chalum. 2 Violis. Viola e Cembalo F-Dur GWV 449( )02:43
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9Ouverture a 3 Chalum. 2 Violis. Viola e Cembalo F-Dur GWV 449Allegro05:55
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10Ouverture a 3 Chalum. 2 Violis. Viola e Cembalo F-Dur GWV 449Bergerie02:36
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11Ouverture a 3 Chalum. 2 Violis. Viola e Cembalo F-Dur GWV 449Air01:53
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12Ouverture a 3 Chalum. 2 Violis. Viola e Cembalo F-Dur GWV 449Le Desire02:49
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13Ouverture a 3 Chalum. 2 Violis. Viola e Cembalo F-Dur GWV 449Rejourissance02:12
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14Ouverture a 3 Chalum. 2 Violis. Viola e Cembalo F-Dur GWV 449La Speranza amoroso06:50
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15Ouverture a 3 Chalum. 2 Violis. Viola e Cembalo F-Dur GWV 449Menuet03:11
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16Sonata per Cembalo e Violino g-Moll GWV 711Largo03:02
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17Sonata per Cembalo e Violino g-Moll GWV 711Presto01:31
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18Sonata per Cembalo e Violino g-Moll GWV 711Largo03:28
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19Sonata per Cembalo e Violino g-Moll GWV 711Menuet02:42
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20Ouverture a 2 Corn: Tym: 2 Chalum: 2 Violin. Viola, Fagott e Cembalo F-Dur GWV 452( ) ? Largo ? da capo07:07
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21Ouverture a 2 Corn: Tym: 2 Chalum: 2 Violin. Viola, Fagott e Cembalo F-Dur GWV 452Menuet02:08
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22Ouverture a 2 Corn: Tym: 2 Chalum: 2 Violin. Viola, Fagott e Cembalo F-Dur GWV 452Air02:41
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23Ouverture a 2 Corn: Tym: 2 Chalum: 2 Violin. Viola, Fagott e Cembalo F-Dur GWV 452Tempo di Sarabande02:22
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24Ouverture a 2 Corn: Tym: 2 Chalum: 2 Violin. Viola, Fagott e Cembalo F-Dur GWV 452Air ? da capo00:41