Label: Challenge Records
Format: CD
Barcode: 0608917335026
Catalog number: CR 73350
Releasedate: 31-05-12
Format: CD
Barcode: 0608917335026
Releasedate: 31-05-12
Dutch pianist-keyboardist Michiel Borstlap, one of today’s jazz greats, is creative and versatile on the accessible 88.
- All of you who still think the piano trio is helplessly passé: take a load of this. 88 might just be the thing you’re looking for!
- “Some people claim that the jazz piano trio format has been squeezed dry. We most certainly do not agree with that misconception, and that’s what 88 is all about.” - Michiel Borstlap
- The music of pianist/composer Michiel Borstlap has been described as lyrical, classical, ambient, contemporary and, above all, touching
- In 1996 he attained world wide exposure by winning the Thelonious Monk International Jazz Competition with Memory of Enchantment, a piece the laureate revisits on this recording. It’s the only quintet-track on the album featuring trumpeter Ruud Breuls and guitarist Jerome Hol
- Another exception to the trio-format is the live solo piece You Know I Do, a real tour the force showcasing the pianist’s ability to evoke a quatre mains sound pallet with just two hands
- All compositions by Michiel Borstlap (Blue Music Publishing/BMG) except Third Plane by R. Carter (Retrac Productions Inc.) and Just One Of Those Things by C. Porter
The take-no-prisoners approach of the opening track seems to convey only one message: make no mistake, the jazz piano trio is still alive and… kicking ass. The song, the exuberant Latin Cherish your Sunshine, is characterized by a mercurial melody that slithers, full of catch-me-if-you-can bravura, along the bar-lines. When, in the ‘tutti’, the theme is finally caught by the expertly chasing rhythm section, the listener cannot feel anything but joy. It’s the same joy that the Michiel Borstlap Trio - Boudewijn Lucas: electric bass, Erik Kooger: Drums - experienced whilst recording the album.
“Some people claim that the jazz piano trio format has been squeezed dry. We most certainly do not agree with that misconception, and that’s what 88 is all about.”
Being asked if there is, apart from the ‘keeping-the-trio-alive attitude’, a concept underpinning the lush musical structures of his latest album, Borstlap figures the title 88 says it all. The pianist is still in thrall of the grand old lady’s ebony and ivory touch. “88 refers to the number of keys on a full scale piano, so you might say the concept is the piano itself. I’m still mesmerized by its possibilities in the broadest sense.”
Standing, literally and figuratively, tall between his peers Michiel Borstlap epitomizes modern Dutch jazz piano. On this recording he even ventures beyond the restrictions of the grand piano by reintroducing the Fender Rhodes electric piano, an instrument Borstlap hasn’t been heard on for quite a while.
So all of you who still think the piano trio is helplessly passé: take a load of this. 88 might just be the thing you’re looking for! (from the linernotes, written by Ruud Meyer)
“Some people claim that the jazz piano trio format has been squeezed dry. We most certainly do not agree with that misconception, and that’s what 88 is all about.”
Being asked if there is, apart from the ‘keeping-the-trio-alive attitude’, a concept underpinning the lush musical structures of his latest album, Borstlap figures the title 88 says it all. The pianist is still in thrall of the grand old lady’s ebony and ivory touch. “88 refers to the number of keys on a full scale piano, so you might say the concept is the piano itself. I’m still mesmerized by its possibilities in the broadest sense.”
Standing, literally and figuratively, tall between his peers Michiel Borstlap epitomizes modern Dutch jazz piano. On this recording he even ventures beyond the restrictions of the grand piano by reintroducing the Fender Rhodes electric piano, an instrument Borstlap hasn’t been heard on for quite a while.
So all of you who still think the piano trio is helplessly passé: take a load of this. 88 might just be the thing you’re looking for! (from the linernotes, written by Ruud Meyer)