Label: Bridge
Format: CD
Barcode: 0090404913129
Catalog number: BRIDG 9131
Releasedate: 21-06-05
Format: CD
Barcode: 0090404913129
Catalog number: BRIDG 9131
Releasedate: 21-06-05
Keyboard virtuoso Lambert Orkis is heard in the premiere recordings of two major works, dedicated to and composed for this remarkable artist. Orkis is perhaps most well-known for his partnerships with violinist Anne-Sophie Mutter and cellist Mstislav Rostropovich, but has also had a career as a performer on period keyboard instruments and as the principal keyboardist for the National Symphony Orchestra. Orkis has also had a long relationship with the two composers on this recording, having been the dedicatee of Wernick’s Piano Sonata No. 1 and Piano Concerto, and as a duo partner with composer/pianist Primosch. Wernick’s Piano Sonata No. 2 is a thirty-six minute essay in three parts. The work alternates intense toccata-like passages with stretches of almost glacial calm. The first and last movements are basically mirror images of one another, so the listener gets to hear similar music from a different perspective with the resulting new connections experienced. In Primosch’s Sonata-Fantasia, a Kurzweil synthesizer serves to amplify and expand the timbral possibilities of the piano. The forty minute work opens with a set of 14 variations on an original theme. These variations sometimes take as models keyboard textures created by past masters, including Bach, Schubert, and Chopin. The slow movement is meditative and the finale is jazzy. The whole work is a remarkable testament to Orkis’s virtuosity, with the performer often required to play both keyboards simultaneously.
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1Piano Sonata No. 2: I. Part I - I. Intrada - in the form of a march01:55
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2Piano Sonata No. 2: II. Part I - II. Arioso triste - in the form of a canon06:23
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3Piano Sonata No. 2: III. Part I - III. Toccata - in the form of an etude01:52
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4Piano Sonata No. 2: IV. Part II - I. Fantasy Variations14:22
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5Piano Sonata No. 2: V. Part III - I. Tempo della Toccata02:12
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6Piano Sonata No. 2: VI. Part III - II. Tempo del'Arioso05:56
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7Piano Sonata No. 2: VII. Part III - III. Tempo della Marcia03:42
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8Sonata-Fantasia: I. Theme and Variations - I. Prelude fantasico, quasi improvisando02:24
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9Sonata-Fantasia: II. Theme and Variations - II. Tema semplice, ma espressivo e con poco rubato01:25
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10Sonata-Fantasia: III. Theme and Variations - III. Variation I sognando, flessibile01:30
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11Sonata-Fantasia: IV. Theme and Variations - IV. Variation II scampering; leggiero00:51
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12Sonata-Fantasia: V. Theme and Variations - V. Variation III con fuoco00:57
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13Sonata-Fantasia: VI. Theme and Variations - VI. Variation IV moderato, flowing01:20
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14Sonata-Fantasia: VII. Theme and Variations - VII. Variation V moderato; like a mechanical toy00:56
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15Sonata-Fantasia: VIII. Theme and Variations - VIII. Variation VI sempre delicato e legato01:02
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16Sonata-Fantasia: IX. Theme and Variations - IX. Variation VII andante; a bit tipsy00:55
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17Sonata-Fantasia: X. Theme and Variations - X. Interlude largo, contemplativo01:22
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18Sonata-Fantasia: XI. Theme and Variations - XI. Variation VIII allegretto00:55
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19Sonata-Fantasia: XII. Theme and Variations - XII. Variation IX pompous, a little grotesque01:19
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20Sonata-Fantasia: XIII. Theme and Variations - XIII. Variation X molto vivace01:08
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21Sonata-Fantasia: XIV. Theme and Variations - XIV. Variation XI grand; in romantic style01:35
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22Sonata-Fantasia: XV. Theme and Variations - XV. Variation XII senza tempo; quasi cadenza01:10
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23Sonata-Fantasia: XVI. Theme and Variations - XVI. Variation XIII cryptic01:24
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24Sonata-Fantasia: XVII. Theme and Variations - XVII. Variation XIV presto01:24
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25Sonata-Fantasia: XVIII. Theme and Variations - XVIII. Postlude fantastico, quasi improvisando02:31
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26Sonata-Fantasia: XIX. Meditativo adagio molto, mesto09:09
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27Sonata-Fantasia: XX. Daddy-O's New Groove, allegro06:53