Label: Champs Hill
Format: CD
Barcode: 5060212590275
Catalog number: CHRCD 026
Releasedate: 01-09-11
Format: CD
Barcode: 5060212590275
Catalog number: CHRCD 026
Releasedate: 01-09-11
Ivana Gavrić made her debut on Champs Hill Records in 2010, when her playing described as "altogether of an extraordinary calibre" by BBC Music Magazine who also made her Newcomer of the Year in their 2011 BBC Music Magazine Awards.
Her second recording brings together works written between 1905 and 1912, by composers separated by nationality; but linked together in possibly the most exciting period in modern European culture.
Ivana writes "Ever since my student years, the Ballets Russes have greatly fascinated me, in particular Prokofievʼs involvement with Diaghilev and the company. His second Sonata is a real statement by a young composer who has just formulated his style, full of his trademark soaring melodies and occasional sarcastic gestures."
At a similar time and as if in another world, Janáček was finding his unique style at his own pace. He uses Moravian folk melodies first in the opening numbers of the Path, and more confidently in the Sonata. His harmonies and textures develop, becoming far more daring and introverted in the later-composed and more obscure numbers of the Path. Like Prokofiev, melody was key for Janáček, although in a more fractured, febrile state.
"I have always been drawn to the brash, brass-like chords at the start of Ravelʼs Valses nobles et sentimentales" adds Ivana. "They open the work with such a rude gesture, later melting into more sensuous and quirky takes on the waltz which end in an epilogue: a hazy recollection of ʻthe night before.ʼ"
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1Sonata 1.X.1905 (Z Ulice - From the Street): I. P?edtucha [Presentiment]06:20
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2Sonata 1.X.1905 (Z Ulice - From the Street): II. Smrt [Death]07:59
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3Po Zarostlém Chodní?ku (On an Overgrown Path): I. Naše ve?ery [Our Evenings]03:34
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4Po Zarostlém Chodní?ku (On an Overgrown Path): I. Naše ve?ery [Our Evenings]03:16
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5Po Zarostlém Chodní?ku (On an Overgrown Path): I. Naše ve?ery [Our Evenings]01:02
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6Po Zarostlém Chodní?ku (On an Overgrown Path): I. Naše ve?ery [Our Evenings]03:57
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7Po Zarostlém Chodní?ku (On an Overgrown Path): I. Naše ve?ery [Our Evenings]02:33
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8Po Zarostlém Chodní?ku (On an Overgrown Path): I. Naše ve?ery [Our Evenings]02:02
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9Po Zarostlém Chodní?ku (On an Overgrown Path): I. Naše ve?ery [Our Evenings]02:52
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10Po Zarostlém Chodní?ku (On an Overgrown Path): I. Naše ve?ery [Our Evenings]03:50
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11Po Zarostlém Chodní?ku (On an Overgrown Path): I. Naše ve?ery [Our Evenings]03:05
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12Po Zarostlém Chodní?ku (On an Overgrown Path): I. Naše ve?ery [Our Evenings]04:01
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13Po Zarostlém Chodní?ku (On an Overgrown Path): I. Naše ve?ery [Our Evenings]01:22
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14Po Zarostlém Chodní?ku (On an Overgrown Path): I. Naše ve?ery [Our Evenings]02:29
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15Po Zarostlém Chodní?ku (On an Overgrown Path): I. Naše ve?ery [Our Evenings]01:22
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16Valses nobles et sentimenales: IV. Assez animé01:09
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17Valses nobles et sentimenales: V. Presque lent01:15
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18Valses nobles et sentimenales: VI. Vif00:36
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19Valses nobles et sentimenales: VII. Moins vif02:57
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20Valses nobles et sentimenales: VIII. Épilogue: lent04:37
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21Sonata No. 2 in D Minor, Op. 14: I. Allegro, ma non troppo06:23
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22Sonata No. 2 in D Minor, Op. 14: II. Scherzo: Allegro marcato01:53
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23Sonata No. 2 in D Minor, Op. 14: III. Andante05:29
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24Sonata No. 2 in D Minor, Op. 14: IV. Vivace04:53