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Opera Omnia XVIII - Vocal works vol. 8
Dieterich Buxtehude

Opera Omnia XVIII - Vocal works vol. 8

Ton Koopman

Label: Challenge Classics
Format: CD
Barcode: 0608917225723
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Catalog number: CC 72257
Releasedate: 29-11-13
In the succession of Franz Tunder in Lübeck Buxtehude broadened the scope and format of vocal composition. They are based on Latin works, Lutheran hymn texts and pietist poems.

Ton Koopman expresses his enthusiasm: “Listen to this music and study and perform it. Buxtehude deserves it.”
 
  • 18th Volume in the phenomenal edition of D. Buxtehude’s Opera Omnia
  • The complete vocal and instrumental works
  • Ton Koopman and the great Amsterdam Baroque Orchestra and Choir with vocal compositions Buxtehude wrote during his time in Lübeck
  • 2 CDs with detailed information about the works
In the succession of Franz Tunder in Lübeck Buxtehude broadened the scope and format of vocal composition by adding sophisticated strophic arias, increasing the role of instrumental ensembles, refining instrumental textures of the vocal scores, and making multi- movement structures are more normative feature in sacred music.

His compositions are based on one side on Latin works, p.e. “O Clemens, o mitis”, the second part of his works are settings of Lutheran hymn texts, p.e.  “Wachet auf, ruft uns die Stimme”. And on the other hand her made settings of pietist poems. The pietist movement became prominent in later 17th-century Lutheran Germany and several lyrical texts set by Buxtehude reflect this leaning toward reflective individual piety. “Meine Seele, willtu ruhn” (BuxWV 74) and “O Gottes Stadt, o güldnes Licht” (BuxWV 87) represent particularly prominent examples of sacred arias.

„ It has been an extraordinary experience to study and record so many works that have rarely if ever been performed. For example: Composed by Buxtehude for his ‘amico’ the Kappelmeister Gustav Düben in Stockholm, Membra Jesu Nostri (BuxWV 75) was little known around 1980. Now the work enjoys wide renown, appearing on many CD recordings. Singers, choirmasters and instrumentalists please take note: there is much more! Listen to this music and study and perform it. Buxtehude deserves it.“ Ton Koopman