Label: Challenge Classics
Format: SACD hybrid
Barcode: 0608917258325
Catalog number: CC 72583
Releasedate: 10-01-14
Format: SACD hybrid
Barcode: 0608917258325
Catalog number: CC 72583
Releasedate: 10-01-14
The symphonic works of Karl amadeus Hartmann: a monumental musical dialogue with the tradition of the past
- Rare collection of all symphonies composed by Hartmann
- Superbly recorded
- First release on SACD (3 SACD-set)
Karl Amadeus Hartmann (1905-1963) is one of the most significant but least-known symphonic composers of the 20th century. This set of three hybrid SACDs, issued to mark the 50th anniversary of the German composer's death, features his eight symphonies played by the Netherlands Radio Philharmonic and Chamber Philharmonic Orchestras under the batons of several major conductors, including Christoph Poppen, Osmo Vanska, James Gaffigan and Markus Stenz.
One of the most characteristic features of Hartmann's work is the way in which he forges contrasting stylistic elements and techniques from various periods of music history into a seamless unit. Moreover, one melody is found in all his symphonies, concealed to varying degrees. This melody is based on the Jewish song "Elijahu hanavi" about the prophet Elijah, whom the Jews anxiously await to bring them redemption. This yearning quality lies at the heart of the composer's music.
Two types of movement, adagio and scherzo, form the unmistakable axis of Hartmann's symphonic works, and the result is that the musical discourse continually takes place between expansion and energy, monumental stasis and a dynamic primal force toppling everything in its path. Hartmann's symphonic legacy most certainly deserves its rightful place in the canon, especially in English-speaking countries where it's been often overlooked.
One of the most characteristic features of Hartmann's work is the way in which he forges contrasting stylistic elements and techniques from various periods of music history into a seamless unit. Moreover, one melody is found in all his symphonies, concealed to varying degrees. This melody is based on the Jewish song "Elijahu hanavi" about the prophet Elijah, whom the Jews anxiously await to bring them redemption. This yearning quality lies at the heart of the composer's music.
Two types of movement, adagio and scherzo, form the unmistakable axis of Hartmann's symphonic works, and the result is that the musical discourse continually takes place between expansion and energy, monumental stasis and a dynamic primal force toppling everything in its path. Hartmann's symphonic legacy most certainly deserves its rightful place in the canon, especially in English-speaking countries where it's been often overlooked.
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1Symphony No.1, 'Versuch eines Requiems'I. Introduktion: Elend “Ich sitze und schaue aus”03:19
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2Symphony No.1, 'Versuch eines Requiems'II. Frühling - “Als jüngst der Flieder blühte”04:48
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3Symphony No.1, 'Versuch eines Requiems'III. Thema mit vier Variationen07:32
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4Symphony No.1, 'Versuch eines Requiems'IV. Tränen - “In der Nacht der Einsamkeit”07:43
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5Symphony No.1, 'Versuch eines Requiems'V. Epilog: Bitte - “Ich hörte die Allmutter”02:48
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6Symphony No.2, 'Adagio’Adagio16:55
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7Symphony No.3Largo ma non troppo - Allegro con fuoco (Virtuose Fuge)16:46
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8Symphony No.3Adagio - Andante - Allegro moderato - Andante - Adagio15:15
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1Symphony No.4I. Lento assai - Con passione14:47
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2Symphony No.4II. Allegro di molto, risoluto09:19
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3Symphony No.4III. Adagio appassionato06:41
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4Symphony No.5, 'Sinfonia concertante'Toccata04:47
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5Symphony No.5, 'Sinfonia concertante'Melodie07:00
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6Symphony No.5, 'Sinfonia concertante'Rondo04:01
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7Symphony No.6I. Adagio13:23
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8Symphony No.6II. Toccata variata12:01
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1Symphony No.7I. Introduction und Ricercare09:16
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2Symphony No.7II. Adagio mesto cantanto e tranquillo18:16
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3Symphony No.8I. Cantilene13:46
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4Symphony No.8II. Dithyrambe: Scherzo - Fuga09:50