Label: Challenge Classics
Format: CD
Barcode: 0608917226324
Catalog number: CC 72263
Releasedate: 06-01-15
Format: CD
Barcode: 0608917226324
Catalog number: CC 72263
Releasedate: 06-01-15
TON KOOPMAN: Georg Christian Schemelli (ca. 1676-1762) is known to us primarily because of the book of songs he published, the Musicalisches Gesang-Buch (Leipzig, 1736). This book contains 954 songs, 69 of which have melodies and a figured bass. It was long assumed that Johann Sebastian Bach, who is mentioned in the preface to the volume, played a major part in the completion of these songs, or at least in writing the figured bass lines. The 69 songs are therefore included in the corpus of the Bach Werke Verzeichnis (BWV catalogue). Although Schemelli’s volume was not particularly successful when it first appeared, being sold off at remainder prices, the position has changed quite radically now. These occasionally simple, directly appealing melodies and texts now form part of the day-to-day repertoire of many singers. Editions of what has become a well-loved volume are available in all sorts of transpositions.
This CD displays the talents of a boy treble who turned 15 a few months ago and who is still singing as a treble – quite unusual these days but absolutely normal in Bach’s time, when boys’ voices would often ‘break’ at around the age of 16. I think it is important for us to document a voice of this sort. Since the days of Sebastian Hennig, whose voice can be followed from the age of 11 through to 15 on many of Gustav Leonhardt’s recordings of Bach cantatas, Constantin is one of the very few boy trebles whose voice transcends the ‘sweet’ and who has something to say in musical terms.
This CD displays the talents of a boy treble who turned 15 a few months ago and who is still singing as a treble – quite unusual these days but absolutely normal in Bach’s time, when boys’ voices would often ‘break’ at around the age of 16. I think it is important for us to document a voice of this sort. Since the days of Sebastian Hennig, whose voice can be followed from the age of 11 through to 15 on many of Gustav Leonhardt’s recordings of Bach cantatas, Constantin is one of the very few boy trebles whose voice transcends the ‘sweet’ and who has something to say in musical terms.
- Schemellis Songbook is an all too rarely recorded collection of works from Baroque greatest composers
- Most of the pieces made by a melody and a figured bass have been traditionally ascribed to Bach.
- In this disc, that is part of Ton Koopman's series, the star is a 15 year old boy soprano, Constantin Emanuel.
- It's since Gustav Leonhardt's Cantatas time that such an individual voice of boy soprano didn't appear.
TON KOOPMAN: Georg Christian Schemelli (ca. 1676-1762) is known to us primarily because of the book of songs he published, the Musicalisches Gesang-Buch (Leipzig, 1736). This book contains 954 songs, 69 of which have melodies and a figured bass. It was long assumed that Johann Sebastian Bach, who is mentioned in the preface to the volume, played a major part in the completion of these songs, or at least in writing the figured bass lines. The 69 songs are therefore included in the corpus of the Bach Werke Verzeichnis (BWV catalogue). Although Schemelli’s volume was not particularly successful when it first appeared, being sold off at remainder prices, the position has changed quite radically now. These occasionally simple, directly appealing melodies and texts now form part of the day-to-day repertoire of many singers. Editions of what has become a well-loved volume are available in all sorts of transpositions.
This CD displays the talents of a boy treble who turned 15 a few months ago and who is still singing as a treble – quite unusual these days but absolutely normal in Bach’s time, when boys’ voices would often ‘break’ at around the age of 16. I think it is important for us to document a voice of this sort. Since the days of Sebastian Hennig, whose voice can be followed from the age of 11 through to 15 on many of Gustav Leonhardt’s recordings of Bach cantatas, Constantin is one of the very few boy trebles whose voice transcends the ‘sweet’ and who has something to say in musical terms.
This CD displays the talents of a boy treble who turned 15 a few months ago and who is still singing as a treble – quite unusual these days but absolutely normal in Bach’s time, when boys’ voices would often ‘break’ at around the age of 16. I think it is important for us to document a voice of this sort. Since the days of Sebastian Hennig, whose voice can be followed from the age of 11 through to 15 on many of Gustav Leonhardt’s recordings of Bach cantatas, Constantin is one of the very few boy trebles whose voice transcends the ‘sweet’ and who has something to say in musical terms.
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1Vater unser im Himmelreich (from Clavier Übung III), BWV 68301:19
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2Ich steh an deiner Krippe hier, BWV 46902:27
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3Brunnquell aller Güter, BWV 44502:26
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4Andante from Pastorale in F, BWV 59002:52
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5Dir, dir, Jehova, will ich singen, BWV 45201:24
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6Nur mein Jesus ist mein Leben, BWV 49002:13
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7Jesu, meines Glaubens Zier, BWV 47202:04
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8Wer nur den lieben Gott läßt walten, BWV 69101:50
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9Jesu, deine Liebeswunden, BWV 47101:31
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10Ermuntre dich, mein schwacher Geist, BWV 45403:07
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11Fuga in C, BuxWV 17402:57
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12Ich freue mich in dir, BWV 46501:59
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13Lasset uns mit Jesu ziehen, BWV 48103:04
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14Sonata in G, K 32803:22
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15Gib dich zufrieden und sei stille, BWV 46001:37
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16Sei gegrüsset, Jesu, gütig, BWV 49902:07
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17Partita Auf meinen lieben Gott in e minor, BuxWV 179 ((Allemande & double, Sarabande, Courante, Gigue)03:54
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18Nicht so traurig, nicht so sehr, BWV 48902:19
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19Beglückter Stand getreuer Seelen, BWV 44202:25
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20Jesu meines Herzens Freud, BWV 47301:59
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21Menuet with variations (after flute sonata op. 2 nr. 10, from the ‘Klavierboek van Quirijn en Jacoba Elizabeth van Bambeek van Strijen)05:59
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22Bist du bei mir, BWV 50802:17