Label: Challenge Classics
Format: SACD hybrid
Barcode: 0608917268324
Catalog number: CC 72683
Releasedate: 09-10-15
Format: SACD hybrid
Barcode: 0608917268324
Catalog number: CC 72683
Releasedate: 09-10-15
- Special and seldom heard combination of violin and accordeon
- Varied repertoire put together by the artists and arranged for this particular combination of instruments
- Dutch top musicians, virtuoso, playful hip and out-of-the-box. Cécile Huijnen is first concert master at The Arnhem Philharmonic Orchestra and Marieke Grotenhuis is one of the foremost accordionists in The Netherlands.
- Varied repertoire put together by the artists and arranged for this particular combination of instruments
- Dutch top musicians, virtuoso, playful hip and out-of-the-box. Cécile Huijnen is first concert master at The Arnhem Philharmonic Orchestra and Marieke Grotenhuis is one of the foremost accordionists in The Netherlands.
When Béla Bartók wanted to pursue his own musical direction after the conservatory, he found more and more inspiration in Hungarian folk music. Together with his friend Kodály he traveled across the Hungarian landscape, which included parts of what is now Romania, recording and collecting folk music.
Publisher Simrock played a huge role in the creation of Slavic Dances by Antonín Dvořák: Simrock requested Dvořák to write “two series of Bohemian and Slavic Dances”, inspired by Brahms’ Hungarian Dances.
Just like Bartók, Kodály imprinted his work with Hungarian folk music. The inspiration for his Three Hungarian Dances was found early in Kodály’s youth, from gipsy concerts in his birth place Galantá. They are – very unjustly – performed seldom
Abodah was written by the Jewish-Swiss-American composer Ernst Bloch in 1929, during a by Jewish music inspired period, for the then 12-year-old violinist Yehudi Menuhin.
The Hungarian Dances by Johannes Brahms belong to his most famous works and were composed between 1858 and 1869. The themes used by Brahms probably originated from melodies he had heard years before, through the Hungarian violinist Eduard Reményi, whom he had accompanied on piano while
traveling through Hungary Piazzolla was a true Argentinian, with tango running through his veins. In his 4-part piece Histoire du Tango, originally written for flute and guitar and composed in 1986, Piazzolla painted the musical history of the tango.
Publisher Simrock played a huge role in the creation of Slavic Dances by Antonín Dvořák: Simrock requested Dvořák to write “two series of Bohemian and Slavic Dances”, inspired by Brahms’ Hungarian Dances.
Just like Bartók, Kodály imprinted his work with Hungarian folk music. The inspiration for his Three Hungarian Dances was found early in Kodály’s youth, from gipsy concerts in his birth place Galantá. They are – very unjustly – performed seldom
Abodah was written by the Jewish-Swiss-American composer Ernst Bloch in 1929, during a by Jewish music inspired period, for the then 12-year-old violinist Yehudi Menuhin.
The Hungarian Dances by Johannes Brahms belong to his most famous works and were composed between 1858 and 1869. The themes used by Brahms probably originated from melodies he had heard years before, through the Hungarian violinist Eduard Reményi, whom he had accompanied on piano while
traveling through Hungary Piazzolla was a true Argentinian, with tango running through his veins. In his 4-part piece Histoire du Tango, originally written for flute and guitar and composed in 1986, Piazzolla painted the musical history of the tango.
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1Romanian Folk Dances op. 706:16
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2Slavonic Dance op. 46, no. 103:20
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3Humoresque op. 101 no. 702:54
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4Adagio05:36
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5Three Hungarian DancesModerato assai e molto espressivo02:33
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6Three Hungarian DancesAllegro01:01
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7Three Hungarian DancesPresto con fuoco01:13
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8Abodah (a Yom Kippur melody)06:22
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9from Hungarian Dancesno. 6, Allegro02:42
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10from Hungarian Dancesno. 7, Allegretto02:02
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11from Hungarian Dancesno. 1, Allegro Molto03:31
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12from Histoire du TangoCafe 193006:39
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13from Histoire du TangoNightclub 196005:41
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14Souvenir05:15