Label: CAvi
Format: LP 12inch
Barcode: 4260085533428
Catalog number: AVI 8553342
Releasedate: 11-12-15
Format: LP 12inch
Barcode: 4260085533428
Catalog number: AVI 8553342
Releasedate: 11-12-15
- A young Pianist shows the development of the 20th c. Piano music from atonal to serial.
- The Vinyl edition is limited, 180g, and has cut the CD program by 4 pieces due to limited length per side
- Cathy Krier is one of the young pianists inspired by the Piano Music of the late 19th and early 20th centuary and selected by the Luxembourg committee for the “Raising Star 2015/2016” series, concerting through the 16 great European concert Halls.
- The Vinyl edition is limited, 180g, and has cut the CD program by 4 pieces due to limited length per side
- Cathy Krier is one of the young pianists inspired by the Piano Music of the late 19th and early 20th centuary and selected by the Luxembourg committee for the “Raising Star 2015/2016” series, concerting through the 16 great European concert Halls.
“The early 20th century is a period that fascinates me. The prevalent musical aesthetic was disrupted by a new generation of composers who maintained their roots in tradition, but felt a great desire to expand music’s horizons: they formed a multitude of currents and embarked on a number of different paths, all driven by the idea of transfiguring everything they had previously known. For this disc I have chosen to retrace the path originally taken by Arnold Schoenberg. Born in Vienna in 1874, Schoenberg had an atypical career. Upon his father’s death, he had to leave school as the eldest sibling at the age of sixteen to take up a profession. As an autodidact he learned the essentials of composition by sight-reading great repertoire and by playing chamber music on the cello and the violin. Married to the sister of Alexander Zemlinsky, Schoenberg took some counterpoint lessons from that composer and soon started teaching harmony and counterpoint himself, from 1903 on. His teaching activity remained central throughout his life, both in Europe and after having immigrated to the US. Profoundly aware of the continual evolution of Art as a historical necessity, Schoenberg introduced an important change into composition at the beginning of the 20th century. He took it over the brink into the unknown by dissolving the classical functions of harmony, then by eliminating all familiar points of melodic and thematic reference. Schoenberg’s Op. 11 is the first truly atonal work for piano ever written….” (from the Liner Notes by Cathy Krier)
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1Sonata for Piano, Op. 1 (1907/08)
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2Three Piano Pieces, Op. 11No. 1 - Maßige
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3Three Piano Pieces, Op. 11No. 2 - Sehr langsam
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4Three Piano Pieces, Op. 11No. 3 - Bewegte
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5Small Pieces for Piano, Part I (Echiridion)No. 1 - Introduktion. Andante rappresentativo
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6Small Pieces for Piano, Part I (Echiridion)No. 2 - Ekloge. Larghetto, con espressione
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7Small Pieces for Piano, Part I (Echiridion)No. 3 - Rondino. Allegro gioscoso
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8Small Pieces for Piano, Part I (Echiridion)No. 4 - Bourrée. Allegro moderato
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9Small Pieces for Piano, Part I (Echiridion)No. 5 - Meditation. Adagio molto
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10Small Pieces for Piano, Part I (Echiridion)No. 6 - Aria. Andante molto cantabile
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11Small Pieces for Piano, Part I (Echiridion)No. 7 - Estampida. Allegro
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12Small Pieces for Piano, Part I (Echiridion)No. 8 - Toccata. Allegro feroce
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13Small Pieces for Piano, Part II (Echiridion)No. 1 - Vigil. Larghetto molto
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14Small Pieces for Piano, Part II (Echiridion)No. 2 - Hora. Moderato
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15Small Pieces for Piano, Part II (Echiridion)No. 3 - Ostinato. Presto
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16Small Pieces for Piano, Part II (Echiridion)No. 4 - Matutin. Cantabile molto
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17Small Pieces for Piano, Part II (Echiridion)No. 5 - Imagination. Sostenuto
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18Klavierstück, Op. 33aMaßig
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19Klavierstück, Op. 33bMaßig langsam