Label: Challenge Classics
Format: CD
Barcode: 0608917276428
Catalog number: CC 72764
Releasedate: 08-09-17
Format: CD
Barcode: 0608917276428
Catalog number: CC 72764
Releasedate: 08-09-17
- A cleverly thought-out and realized disc about J.S. Bach and his kindred spirits.
- The clavichord is the softest but most sensitive, and perhaps most soulful, member of the keyboard instrument family.
- Sigrun Stephan displays a full comprehension of the music as a fruit of a deep sensitivity and a thorough musicological training.
- The clavichord is the softest but most sensitive, and perhaps most soulful, member of the keyboard instrument family.
- Sigrun Stephan displays a full comprehension of the music as a fruit of a deep sensitivity and a thorough musicological training.
Who is akin to whom? Are they spiritual or elective kinships? In the first instance, all the pieces recorded here are akin to each other in that they are especially suitable for that most sensitive of all keyboard instruments, the clavichord. Beauty is another common feature, which they each display in their own way. And in the circle of fifths these pieces are very close to one another.
Personal and familial kinships become apparent with the name of BACH. It is also known that Johann Sebastian chose J.A. Reincken, around forty years his senior, as his teacher: Reincken can certainly be described as a musical father, a true kindred spirit, to J.S. Bach. Johann Gottfried Müthel slots into the ensemble as a logical consequence. He was J.S. Bach’s last pupil who had participated in transcribing The Art of Fugue and who composed in a consistently new and non-contrapuntal style. In this respect, he is musically much closer to Bach’s sons Carl Philipp Emanuel and Wilhelm Friedemann, almost a brother to them.
Personal and familial kinships become apparent with the name of BACH. It is also known that Johann Sebastian chose J.A. Reincken, around forty years his senior, as his teacher: Reincken can certainly be described as a musical father, a true kindred spirit, to J.S. Bach. Johann Gottfried Müthel slots into the ensemble as a logical consequence. He was J.S. Bach’s last pupil who had participated in transcribing The Art of Fugue and who composed in a consistently new and non-contrapuntal style. In this respect, he is musically much closer to Bach’s sons Carl Philipp Emanuel and Wilhelm Friedemann, almost a brother to them.
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1Prelude in C Minor, BWV 99901:21
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2Suite in G MajorAllemande02:45
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3Suite in G MajorCourante01:43
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4Suite in G MajorSarabande01:55
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5Suite in G MajorGigue02:28
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6Capriccio sopra la lontananza del suo fratello dilettissimo, BWV 992Arioso. Adagio. Ist eine Schmeichelung der Freunde, um denselben von seiner Reise abzuhalten01:52
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7Capriccio sopra la lontananza del suo fratello dilettissimo, BWV 992Ist eine Vorstellung unterschiedlicher Casuum, die ihm in der Fremde könnten vorfallen01:25
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8Capriccio sopra la lontananza del suo fratello dilettissimo, BWV 992Adagiosissimo. Ist ein allgemeines Lamento der Freunde03:19
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9Capriccio sopra la lontananza del suo fratello dilettissimo, BWV 992Allhier kommen die Freunde, weil sie doch sehen, daß es anders nicht sein kann und nehmen Abschied00:41
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10Capriccio sopra la lontananza del suo fratello dilettissimo, BWV 992Allegro poco. Aria del Postiglione01:00
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11Capriccio sopra la lontananza del suo fratello dilettissimo, BWV 992Fuga all'imitazione della cornetta di postiglione02:30
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12Prelude and Fugue G Major, BWV 884 (from: Wohltemp. Clavier II)Prelude02:46
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13Prelude and Fugue G Major, BWV 884 (from: Wohltemp. Clavier II)Fugue01:25
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14From: Clavierbüchlein für Wilhelm Friedemann BachPrelude in C Major, BWV 924a01:21
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15Fantasie in A Minor, F.2303:29
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16Polonaise in E Minor04:48
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17Württembergische Sonate No. 1 in A Minor, H.30, Wq49Moderato07:37
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18Württembergische Sonate No. 1 in A Minor, H.30, Wq49Andante04:06
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19Württembergische Sonate No. 1 in A Minor, H.30, Wq49Allegro assai05:22
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20Sonate No. 1 in F MajorAllegro10:56
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21Sonate No. 1 in F MajorLargo e staccato05:28
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22Sonate No. 1 in F MajorPresto04:16