Label: Champs Hill
Format: CD
Barcode: 5060212591074
Catalog number: CHRCD 104
Releasedate: 06-10-17
Format: CD
Barcode: 5060212591074
Releasedate: 06-10-17
- Solo piano album by Poom Prommachart
- Debut album
- Debut album
The breadth and depth of artistic drives at large in Russia during the dying days of the Romanov dynasty are the focus of this debut album by young Bankok-born pianist Poom Prommachart. The music reflects everything from the die-hard conservatism of Medtner to the introspective mysticism and harmonic daring of late Scriabin. Winner of the second Sussex International Piano Competition and a recent Shigeru Kawai Artist, Poom is regarded as one of the most accomplished Thai pianists today.
Described by a critic as a young Ashkenazy, Poom was a hugely successful student. He received the most prestigious Tagore Gold Medal for his outstanding career and contribution to the RCM, which was presented to him by HRH The Prince of Wales. Liszt dedicated the published score of Variations on a Theme of Bach to Anton Rubenstein the two men met in Paris in 1840. He built the variations on material from the first movement of the same cantata which Bach revisited for the Crucifixus of his B minor Mass, but which yields to Liszts Romantic invention, growing towards a catyclysm out of which rises a chorale.
Poom describes Scriabins Black Mass sonata as a conversation between human and demon, the result of the composers deep immersion in esoteric philosophy and here he explores the minds shadowy side, drawing dark forces into the light of awareness. Medtner is a favourite composer of Pooms, and he enjoys the opportunity to inject spirit and powerful imagination into the piece so appropriate here in music which takes its cue from the song of the water-nymph, or rusalki, whose siren songs lure young men to their deaths by drowning. A series of variations creates a labyrinthine world of elves, gnomes and winged dancers. The transcription of the famous Liebesfreud, Pooms encore on the disc, was the result of another great friendship, that of Rachmaninoff and Kreisler who met in 1918 in New York. The first performance in 1925 was hailed as a great success.
Described by a critic as a young Ashkenazy, Poom was a hugely successful student. He received the most prestigious Tagore Gold Medal for his outstanding career and contribution to the RCM, which was presented to him by HRH The Prince of Wales. Liszt dedicated the published score of Variations on a Theme of Bach to Anton Rubenstein the two men met in Paris in 1840. He built the variations on material from the first movement of the same cantata which Bach revisited for the Crucifixus of his B minor Mass, but which yields to Liszts Romantic invention, growing towards a catyclysm out of which rises a chorale.
Poom describes Scriabins Black Mass sonata as a conversation between human and demon, the result of the composers deep immersion in esoteric philosophy and here he explores the minds shadowy side, drawing dark forces into the light of awareness. Medtner is a favourite composer of Pooms, and he enjoys the opportunity to inject spirit and powerful imagination into the piece so appropriate here in music which takes its cue from the song of the water-nymph, or rusalki, whose siren songs lure young men to their deaths by drowning. A series of variations creates a labyrinthine world of elves, gnomes and winged dancers. The transcription of the famous Liebesfreud, Pooms encore on the disc, was the result of another great friendship, that of Rachmaninoff and Kreisler who met in 1918 in New York. The first performance in 1925 was hailed as a great success.
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1Variations on a Theme of Bach, S. 18016:28
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2Piano Sonata No. 9, Op. 6809:48
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3Improvisation No. 2, Op. 47Theme,02:17
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4Improvisation No. 2, Op. 47I. Meditation01:50
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5Improvisation No. 2, Op. 47II. Caprice01:28
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6Improvisation No. 2, Op. 47III. Winged Dancers02:11
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7Improvisation No. 2, Op. 47IV. Enchantment01:54
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8Improvisation No. 2, Op. 47V. Humoresque01:54
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9Improvisation No. 2, Op. 47VI. Mid the Waves01:22
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10Improvisation No. 2, Op. 47VII. Tumult of the Crowd01:39
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11Improvisation No. 2, Op. 47VIII. In The Forest01:10
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12Improvisation No. 2, Op. 47IX. The Swan00:28
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13Improvisation No. 2, Op. 47X. The Elves01:03
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14Improvisation No. 2, Op. 47XI. The Gnomes01:08
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15Improvisation No. 2, Op. 47XII. Conjuration02:27
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16Improvisation No. 2, Op. 47XIII. The Threat02:45
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17Improvisation No. 2, Op. 47XIV. Song of the Water-Nymph01:50
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18Improvisation No. 2, Op. 47XV. The Storm02:16
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19Improvisation No. 2, Op. 47Conclusion01:42
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20Liebesfreud07:39