Label: Lawo Classics
Format: CD
Barcode: 7090020181561
Catalog number: LWC 1134
Releasedate: 08-12-17
Format: CD
Barcode: 7090020181561
Catalog number: LWC 1134
Releasedate: 08-12-17
- The World's Oldest & Best Academic Female Choir
- Choir music for women by five male Norwegian composers
- Compositions that challenge and expand conceptions of Norway’s cultural heritage
- Choir music for women by five male Norwegian composers
- Compositions that challenge and expand conceptions of Norway’s cultural heritage
THE WOMEN'S CHORAL SOCIETY OF THE UNIVERSITY OF OSLO: "COME RAIN"
MUSIC OF VALEN; NORDHEIM; HOVLAND; NYSTEDT AND KRUSE
The world’s oldest academic female choir has sought out choir music for women by five male Norwegian composers — compositions that challenge and expand conceptions of Norway’s cultural heritage.
There is here scarcely a trace of a mountain or fjord or traditional folk music, or of Grieg, Kjerulf and Nordraak. The gentlemen on this recording chose other routes to the concert hall, cathedral and the cultural canon. One of them had as strong a faith in his uncompromising counterpoint as in the Almighty Creator, while sitting alone between the mountains and fjords of Western Norway. Another was a central figure of European contemporary music and musical life in the capital city, but his work was dismissed as “Pling-Plong” by Norwegian cultural conservatism’s self-appointed generals.
Fartein Valen, Arne Nordheim, Egil Hovland, Knut Nystedt and Bjørn Kruse, each in his own way and with either the Bible or world poetry in his inside pocket, created sounds that convey a different history of Norwegian music. Placed in women’s voices, they provide the possibility of entering worlds of sound, words and lines that for many remain undiscovered, unanticipated and unprecedented.
MUSIC OF VALEN; NORDHEIM; HOVLAND; NYSTEDT AND KRUSE
The world’s oldest academic female choir has sought out choir music for women by five male Norwegian composers — compositions that challenge and expand conceptions of Norway’s cultural heritage.
There is here scarcely a trace of a mountain or fjord or traditional folk music, or of Grieg, Kjerulf and Nordraak. The gentlemen on this recording chose other routes to the concert hall, cathedral and the cultural canon. One of them had as strong a faith in his uncompromising counterpoint as in the Almighty Creator, while sitting alone between the mountains and fjords of Western Norway. Another was a central figure of European contemporary music and musical life in the capital city, but his work was dismissed as “Pling-Plong” by Norwegian cultural conservatism’s self-appointed generals.
Fartein Valen, Arne Nordheim, Egil Hovland, Knut Nystedt and Bjørn Kruse, each in his own way and with either the Bible or world poetry in his inside pocket, created sounds that convey a different history of Norwegian music. Placed in women’s voices, they provide the possibility of entering worlds of sound, words and lines that for many remain undiscovered, unanticipated and unprecedented.
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1Motet for Female Choir, Op. 25 (1936): Kom regn fra det høie03:50
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2Two Motets for Female Choir, Op. 14 (1931)No. 1, Quomodo sedet sola civitas03:38
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3Two Motets for Female Choir, Op. 14 (1931)No. 2, Regina coeli laetare02:56
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4Music to Two Fragments by Shelley (1985)Silver Key05:44
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5Music to Two Fragments by Shelley (1985)No, Music01:39
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6Gloria Patri, Op. 137, No. 2 (1991)03:23
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7Se, dager kommer (1975)04:20
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8Shells (1973)04:20
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9Sansene (2002)06:02
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10I am my brother?s keeper (1982)03:47
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11Mary?s Song06:23
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12Music to hear, why hear?st thou music sadly? (2000)04:23
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13Renn over meg som regn (1993)04:23