Label: Challenge Classics
Format: CD
Barcode: 0608917276220
Catalog number: CC 72762
Releasedate: 04-05-18
Format: CD
Barcode: 0608917276220
Catalog number: CC 72762
Releasedate: 04-05-18
-Third release by Challenge Classics devoted to the Dutch composer Robin de Raaff, whose orchestral and operatic output has been progressively drawing the attention of the musical world
-Three symphonic works by one of today European chief representatives of this musical form
-Two of them are actually concertante works where a saxophone quartet and a soprano enter into dialogue with the orchestra
-Three symphonic works by one of today European chief representatives of this musical form
-Two of them are actually concertante works where a saxophone quartet and a soprano enter into dialogue with the orchestra
The Dutch composer Robin de Raaff has four symphonies to his name. Will De Raaff follow in the footsteps of tradition, or will he give the name, the form, a new meaning, a new direction?
His symphonies have little to do with the classical concept. Of course, his love for composing was partly derived from the symphonies of composers such as Brahms, Mahler, Shostakovich, Prokofiev and even Bernstein, but De Raaff is too much of a constructivist to write a symphony in the classical sense of the word. De Raaff became more and more convinced there was something to be gained in the concertante form, the orchestra and the soloist, the individual and the crowd. He shies away from prescribed forms and developments, a recapitulated theme followed by various movements with different characters. The symphony, the orchestral apparatus sounding together, telling its story for a period of at least 20 minutes, is what he took as his starting point. Working from there, this led to a reinterpretation of the symphonic form. De Raaff’s Second and Fourth Symphonies are the result of a reinterpretation of works for a soloist or soloist group with accompaniment. They are a revision of the material, reminiscent of the way in which Pierre Boulez let Incises for piano grow into Sur incises for ensemble and how Luciano Berio recomposed a number of his Sequenzas into Chemins.
His symphonies have little to do with the classical concept. Of course, his love for composing was partly derived from the symphonies of composers such as Brahms, Mahler, Shostakovich, Prokofiev and even Bernstein, but De Raaff is too much of a constructivist to write a symphony in the classical sense of the word. De Raaff became more and more convinced there was something to be gained in the concertante form, the orchestra and the soloist, the individual and the crowd. He shies away from prescribed forms and developments, a recapitulated theme followed by various movements with different characters. The symphony, the orchestral apparatus sounding together, telling its story for a period of at least 20 minutes, is what he took as his starting point. Working from there, this led to a reinterpretation of the symphonic form. De Raaff’s Second and Fourth Symphonies are the result of a reinterpretation of works for a soloist or soloist group with accompaniment. They are a revision of the material, reminiscent of the way in which Pierre Boulez let Incises for piano grow into Sur incises for ensemble and how Luciano Berio recomposed a number of his Sequenzas into Chemins.
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1Symphony No. 2 ?Two Worlds Colliding? for saxophone quartet and orchestraMovement I07:45
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2Symphony No. 2 ?Two Worlds Colliding? for saxophone quartet and orchestraMovement II08:15
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3Symphony No. 2 ?Two Worlds Colliding? for saxophone quartet and orchestraTransition-Movement III07:31
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4Symphony No. 1 ?Tanglewood Tales? for large orchestraMovement I (Untangled Tales)08:03
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5Symphony No. 1 ?Tanglewood Tales? for large orchestraMovement II (Untangled Tales)09:01
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6Symphony No. 1 ?Tanglewood Tales? for large orchestraCoda03:38
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7Symphony No. 4 ?Melodies Unheard? a symphony of songs for soprano (or mezzo) and orchestra on poems by Emily DickinsonI. How Still the Bells06:41
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8Symphony No. 4 ?Melodies Unheard? a symphony of songs for soprano (or mezzo) and orchestra on poems by Emily DickinsonII. Orchestral Interlude04:47
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9Symphony No. 4 ?Melodies Unheard? a symphony of songs for soprano (or mezzo) and orchestra on poems by Emily DickinsonIII. Softened By Time?s Consummate Plush03:48
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10Symphony No. 4 ?Melodies Unheard? a symphony of songs for soprano (or mezzo) and orchestra on poems by Emily DickinsonIV. The Farthest Thunder04:42
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11Symphony No. 4 ?Melodies Unheard? a symphony of songs for soprano (or mezzo) and orchestra on poems by Emily DickinsonV. The Nearest Dream Recedes, Unrealized03:46
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12Symphony No. 4 ?Melodies Unheard? a symphony of songs for soprano (or mezzo) and orchestra on poems by Emily DickinsonVI. The Soul Selects Her Own Society02:23
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13Symphony No. 4 ?Melodies Unheard? a symphony of songs for soprano (or mezzo) and orchestra on poems by Emily DickinsonVII. Musicians Wrestle Everywhere06:52