Label: CAvi
Format: CD
Barcode: 4260085531462
Catalog number: AVI 8553146
Releasedate: 02-11-18
Format: CD
Barcode: 4260085531462
Catalog number: AVI 8553146
Releasedate: 02-11-18
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Musical diamonds need discovery like these almost unknown horn concertos by Michael and Joseph Haydn
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Přemysl Vojta counts as the upcoming top horn players in Europe, guest at many festivals and principal of the WDR Symphony Orchestra
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The Haydn Ensemble Prague is formed by the leading principals and soloists of the Czech orchestras.
Horn Concertos by Michael & Joseph Haydn
It is difficult to ascertain how many horn concertos Joseph Haydn and his younger brother Michael actually wrote. Certain works are lost; others are erroneously ascribed, or their authenticity is at least doubtful. One of the concertos has even been ascribed by different musicologists to Joseph and to Michael Haydn, but it may have been written by another person entirely. The two brothers wrote most of their concertos for the widest variety of solo instruments, but usually in the same type of situation: i.e. once they had assumed important posts at the head of renowned court orchestras. Joseph Haydn became Kapellmeister for the Ezterházy princes in 1761, and Michael became concertmaster of the Salzburg archdiocese court orchestra in 1763.
The court musicians in both orchestras were virtuosos in their own right, and one of the tasks of a Kapellmeister consisted in composing new works that permitted them to display their outstanding abilities in the presence of their sovereigns.
(Excerpt from the liner notes by Dr. Arnim Raab, Haydn-Institut)
It is difficult to ascertain how many horn concertos Joseph Haydn and his younger brother Michael actually wrote. Certain works are lost; others are erroneously ascribed, or their authenticity is at least doubtful. One of the concertos has even been ascribed by different musicologists to Joseph and to Michael Haydn, but it may have been written by another person entirely. The two brothers wrote most of their concertos for the widest variety of solo instruments, but usually in the same type of situation: i.e. once they had assumed important posts at the head of renowned court orchestras. Joseph Haydn became Kapellmeister for the Ezterházy princes in 1761, and Michael became concertmaster of the Salzburg archdiocese court orchestra in 1763.
The court musicians in both orchestras were virtuosos in their own right, and one of the tasks of a Kapellmeister consisted in composing new works that permitted them to display their outstanding abilities in the presence of their sovereigns.
(Excerpt from the liner notes by Dr. Arnim Raab, Haydn-Institut)
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1Concerto per il Corno principale in D Major, MH 53 / Hob. VIIb:4Allegro moderato06:23
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2Concerto per il Corno principale in D Major, MH 53 / Hob. VIIb:4Adagio05:27
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3Concerto per il Corno principale in D Major, MH 53 / Hob. VIIb:4Allegro04:23
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4Concertino per il Corno e TromboneAdagio07:56
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5Concertino per il Corno e TromboneAllegro molto06:52
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6Concertino per il Corno D-Dur / in D Major, MH 134Larghetto06:44
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7Concertino per il Corno D-Dur / in D Major, MH 134Allegro ma non troppo05:42
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8Concertino per il Corno D-Dur / in D Major, MH 134Menuetto - Trio03:15
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9Concerto per il Corno da caccia D-Dur / in D Major, Hob. VIId : 3Allegro06:34
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10Concerto per il Corno da caccia D-Dur / in D Major, Hob. VIId : 3Andante07:00
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11Concerto per il Corno da caccia D-Dur / in D Major, Hob. VIId : 3Finale. Allegro03:05