Label: Challenge Classics
Format: SACD
Barcode: 0608917280029
Catalog number: CC 72800
Releasedate: 05-04-19
Format: SACD
Barcode: 0608917280029
Catalog number: CC 72800
Releasedate: 05-04-19
- Second and last installment in critically acclaimed survey of Bach’s Harpsichord Concertos
- Fabio Bonizzoni as soloist is accompanied by his group La Risonanza. They perform one-to-a-part.
- Four works with a wide range of moods and instruments thanks to the presence of violin and flute in the dark jewel that is the Triple while recorders add up in the BWV 1057
- Fabio Bonizzoni as soloist is accompanied by his group La Risonanza. They perform one-to-a-part.
- Four works with a wide range of moods and instruments thanks to the presence of violin and flute in the dark jewel that is the Triple while recorders add up in the BWV 1057
Here is the follow-up to the critically acclaimed first volume of Bach’s Harpsichord Concertos by Fabio Bonizzoni and his group La Risonanza.
This second volume includes a more varied range of works as it starts with the most famous Brandenburg Fifth, which is the first ever harpsichord concert. After the BWV 1054, we have the rather rare BWV 1057,which is the harpsichord version of the Brandenburg Fourth. To end Bonizzoni’s survey of all Bach’s harpsichord concertos, we find the famous and beloved Triple concerto, with violin and flute.
Some critics’ quotation on first volume.
For a single CD of these four keyboard concertos, there’s no preferable recording available. - Musicweb
Harpsichordist Fabio Bonizzoni does a credible job in integrating the concertos so that they appear not as a soloist versus the ensemble, but rather as an integral part. – Fanfare
Bonizzoni achieves the difficult task of combining subtle artifice and interpretative joie de vivre with a manner that appears natural and uncomplicated […] enticing for its musical strengths. – Gramophone
This second volume includes a more varied range of works as it starts with the most famous Brandenburg Fifth, which is the first ever harpsichord concert. After the BWV 1054, we have the rather rare BWV 1057,which is the harpsichord version of the Brandenburg Fourth. To end Bonizzoni’s survey of all Bach’s harpsichord concertos, we find the famous and beloved Triple concerto, with violin and flute.
Some critics’ quotation on first volume.
For a single CD of these four keyboard concertos, there’s no preferable recording available. - Musicweb
Harpsichordist Fabio Bonizzoni does a credible job in integrating the concertos so that they appear not as a soloist versus the ensemble, but rather as an integral part. – Fanfare
Bonizzoni achieves the difficult task of combining subtle artifice and interpretative joie de vivre with a manner that appears natural and uncomplicated […] enticing for its musical strengths. – Gramophone
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1Brandenburg Concerto No. 5, BWV 1050I. Allegro09:47
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2Brandenburg Concerto No. 5, BWV 1050II. Adagio05:29
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3Brandenburg Concerto No. 5, BWV 1050III. Allegro05:27
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4Harpsichord Concerto No. 6, in F Major, BWV 1057I.07:05
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5Harpsichord Concerto No. 6, in F Major, BWV 1057II. Andante03:18
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6Harpsichord Concerto No. 6, in F Major, BWV 1057III. Allegro assai04:59
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7Harpsichord Concerto no. 3, in D major, BWV 1054I.07:25
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8Harpsichord Concerto no. 3, in D major, BWV 1054II. Adagio e piano sempre05:23
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9Harpsichord Concerto no. 3, in D major, BWV 1054III. Allegro02:50
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10Concerto for Flute, Violin and Harpsichord in A Minor, BWV 1044I. Allegro09:02
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11Concerto for Flute, Violin and Harpsichord in A Minor, BWV 1044II. Adagio ma non tanto e dolce05:31
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12Concerto for Flute, Violin and Harpsichord in A Minor, BWV 1044III. Alla breve07:19