Label: Challenge Classics
Format: CD
Barcode: 0608917277425
Catalog number: CC 72774
Releasedate: 07-06-19
Format: CD
Barcode: 0608917277425
Catalog number: CC 72774
Releasedate: 07-06-19
- World premiere recording of Cavalli’s opera dated 1654-1658
- Recording made after a live stage performance in Utrecht, 2006
- It is a real discovery on a musical point of view and its value is enhanced by a superb performance by soloists and orchestra.
- A performance giving full credit to the composer and his at times excessive demands.
- To the contemporary lover of early music this performance offers beauty in its purest form.
Working in 17th-century Venice soon after the world’s first public opera houses opened there, composer Francesco Cavalli had no tradition to follow. He gave his fertile imagination free rein, tinkering with the brand-new art form to create the lively Venetian style of opera, with its melodious arias, sprightly dance rhythms, free-wheeling mythological or historical plots and generous dollops of comedy. Like most of Cavalli’s operas, l'Ipermestra wasn’t performed between the late 17th century and recent years.
In 1658, on the occasion of the recent birth of King Philip IV of Spain’s first son (prince Felipe Próspero), the Grand Duchy of Tuscany celebrated the royal event with one of the most magnificent operas ever staged in Florence: l'Ipermestra by Giovanni Andrea Moniglia and Francesco Cavalli.
This opera originated from an unusual mix of court culture and the fashionable “opera alla veneziana”, one of the most in vogue entertainments in Europe at the time. However, the main patron of this sign of alliance with the Spanish crown was not the grand duke Ferdinand II de’ Medici, but his notorious brother, cardinal Giovan Carlo de’ Medici: relentless operagoer and patron of singers, musicians, and academies. l'Ipermestra was one of his most important projects, and its origin, hidden for centuries, has only recently come to light.
An account of the opera was printed in 1658 on the occasion of the performances. Yet although the publicity for the 1658 première was so convincing that everyone believed the opera had been written just for that occasion, we have proof of the existence of l'Ipermestra as early as 1654 – four years prior to the Spanish prince’s birth.
In 1658, on the occasion of the recent birth of King Philip IV of Spain’s first son (prince Felipe Próspero), the Grand Duchy of Tuscany celebrated the royal event with one of the most magnificent operas ever staged in Florence: l'Ipermestra by Giovanni Andrea Moniglia and Francesco Cavalli.
This opera originated from an unusual mix of court culture and the fashionable “opera alla veneziana”, one of the most in vogue entertainments in Europe at the time. However, the main patron of this sign of alliance with the Spanish crown was not the grand duke Ferdinand II de’ Medici, but his notorious brother, cardinal Giovan Carlo de’ Medici: relentless operagoer and patron of singers, musicians, and academies. l'Ipermestra was one of his most important projects, and its origin, hidden for centuries, has only recently come to light.
An account of the opera was printed in 1658 on the occasion of the performances. Yet although the publicity for the 1658 première was so convincing that everyone believed the opera had been written just for that occasion, we have proof of the existence of l'Ipermestra as early as 1654 – four years prior to the Spanish prince’s birth.
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1Atto PrimoSinfonia from opera “Doriclea” 1645 by Franceso Cavalli01:22
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2Atto PrimoScena 1 Linceo, Ipermestra - Cortile regio08:13
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3Atto PrimoScena 2 Arbante01:11
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4Atto PrimoScena 3 Arbante, Elisa03:58
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5Atto PrimoScena 4 Elisa01:17
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6Atto PrimoScena 5 Elisa, Berenice02:53
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7Atto PrimoScena 6 Berenice00:31
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8Atto PrimoScena 7 Danao, Ipermestra08:24
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9Atto PrimoScena 8 Ipermestra05:18
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10Atto PrimoScena 9 Linceo02:58
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11Atto PrimoScena 11 Linceo, Ipermestra09:39
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12Atto PrimoScena 12 Ipermestra03:24
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13Atto PrimoScena 13 Ipermestra, Berenice00:52
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14Atto PrimoScena 14 Ipermestra, Danao, Berenice sotto una portiera07:15
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15Atto PrimoScena 15 Berenice03:52
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1Atto SecondoScena 1 Ipermestra, Elisa - Prigione09:12
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2Atto SecondoScena 2 Ipermestra, Berenice04:30
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3Atto SecondoScena 3 Ipermestra01:29
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4Atto SecondoScena 4 Ipermestra, Arbante ch’osserva04:53
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5Atto SecondoScena 5 Arbante, Elisa01:23
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6Atto SecondoScena 6 Arbante, Elisa, Danao01:50
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7Atto SecondoScena 7 Danao, Arbante02:31
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8Atto SecondoScena 8 Danao02:28
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9Atto SecondoScena 9 Danao, Ipermestra02:20
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10Atto SecondoScena 10 Ipermestra02:36
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11Atto SecondoScena 11 Ipermestra, Elisa, Berenice05:11
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12Atto SecondoScena 12 Ipermestra01:38
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13Atto SecondoScena 21 Linceo02:40
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14Atto SecondoScena 22 Linceo, Arbante04:51
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15Atto SecondoScena 23 Linceo02:12
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16Atto SecondoScena 24 Linceo, Elisa00:41
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17Atto SecondoScena 25 Linceo, Elisa, Berenice01:10
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18Atto SecondoScena 26 Danao01:36
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19Atto Secondo“Battalla de Barabaso yerno de Satana” 1650 by Andrea Falconieri03:56
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1Atto TerzaScena 1 instrumental01:40
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2Atto TerzaScena 2 Ipermestra, Campagna della Torre00:15
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3Atto TerzaScena 3 Ipermestra01:09
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4Atto TerzaScena 4 Ipermestra, Elisa04:11
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5Atto TerzaScena 5 Arbante03:09
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6Atto TerzaScena 7 Linceo03:40
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7Atto TerzaScena 8 Linceo, Elisa, Berenice07:19
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8Atto TerzaScena 9 Elisa, Berenice00:45
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9Atto TerzaScena 10 Berenice02:45
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10Atto TerzaScena 11 Ipermestra sopra la Torre06:03
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11Atto TerzaScena 12 Ipermestra e Berenice sopra la Torre; Linceo in strada01:00
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12Atto TerzaScena 13 Berenice, Elisa02:21
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13Atto TerzaScena 15 Linceo, Ipermestra00:46
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14Atto TerzaScena 16 Linceo, Ipermestra, Arbante03:14
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15Atto TerzaScena 17 Linceo, Ipermestra, Arbante, Elisa, Berenice08:56