Label: Challenge Classics
Format: CD
Barcode: 0608917281026
Catalog number: CC 72810
Releasedate: 06-09-19
Format: CD
Barcode: 0608917281026
Releasedate: 06-09-19
- Music has an inside, where one can find its essence. Camiel Boomsma approaches every piece with this vision.
- Boomsma looks for the deepest, the invisible, the elusive, the innermost side of music.
- Pieces by Liszt and Schubert, coupled searching for a poetic dialogue of discretion and passion
- On previous release (CC 72756, Chopin & Schubert): “Camiel Boomsma is a poet of the keyboard” – Jean-Charles Hoffelé
- Boomsma looks for the deepest, the invisible, the elusive, the innermost side of music.
- Pieces by Liszt and Schubert, coupled searching for a poetic dialogue of discretion and passion
- On previous release (CC 72756, Chopin & Schubert): “Camiel Boomsma is a poet of the keyboard” – Jean-Charles Hoffelé
Camiel Boomsma: “Many of the pieces on this album I have been carrying with me for many years already. In choosing these works for the recording, I was very conscious of that fact. The longer you carry a piece with you, the more you see ‘who’ the piece is rather than what it is.
Liszt’s music is like an unspoiled landscape. It’s raw, fragile, strong, uncontrolled, poetic and paradoxical. One of the very first works I discovered was Vallee d’Obermann. When I play this piece, I ask myself to open up to this and observe the story that unfolds.
To unfold is essential as well in Liszt’s Liebestraum No.3, Au bord d’une source and Chasse Neige. The common character of these pieces is in a way averse of expectations. It is as if Liszt himself as well did not know exactly how the musical story would unfold. And when the pieces unfold, they all communicate something very profound.
The three works by Schubert – Gretchen am Spinnrade and Impromptus D899 No.1 and No.3 - are in a subtle dialogue with Liszt. They represent my own inner dialogue as well, a dialogue between a certain poetic discretion and passion.
With this album I have attempted again to search for the layers of the soul, that very specific moving language. Every piece I play is about this endless search. The beauty and expression lie in the fact that I will never find it. It is a continuous journey.”
Liszt’s music is like an unspoiled landscape. It’s raw, fragile, strong, uncontrolled, poetic and paradoxical. One of the very first works I discovered was Vallee d’Obermann. When I play this piece, I ask myself to open up to this and observe the story that unfolds.
To unfold is essential as well in Liszt’s Liebestraum No.3, Au bord d’une source and Chasse Neige. The common character of these pieces is in a way averse of expectations. It is as if Liszt himself as well did not know exactly how the musical story would unfold. And when the pieces unfold, they all communicate something very profound.
The three works by Schubert – Gretchen am Spinnrade and Impromptus D899 No.1 and No.3 - are in a subtle dialogue with Liszt. They represent my own inner dialogue as well, a dialogue between a certain poetic discretion and passion.
With this album I have attempted again to search for the layers of the soul, that very specific moving language. Every piece I play is about this endless search. The beauty and expression lie in the fact that I will never find it. It is a continuous journey.”
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1From Années de Pèlerinage SuisseAu bord d’une source, S. 56/304:17
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2Impromptu D. 899, No. 110:35
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3Impromptu D. 899, No. 306:05
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4Gretchen am Spinnrade D. 11804:41
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5From Années de Pèlerinage SuisseVallée d’ Obermann, S. 156/514:18
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6Liebestraum S. 541, No. 304:36
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7From Études d’execution transcendante, S. 139No. 12 ‘‘Chasse-neige’’06:38