Label: Ayros
Format: CD
Barcode: 5902768283136
Catalog number: AYCD 07
Releasedate: 05-03-21
Format: CD
Barcode: 5902768283136
Catalog number: AYCD 07
Releasedate: 05-03-21
- Music inspired by Leonardo da Vinci's enigmas.
- This recording features the Viola Organista built by Sławomir Zubrzycki
- This recording features the Viola Organista built by Sławomir Zubrzycki
To Renaissance court of Ludovico Sforza, the Duke of Milan, arrived an eccentric thirty-yearold man from Florence. It was 1482. He was a mathematician, anatomist, philosopher, constructor, astronomer... But not many people know, that he was also a musician. One of his 16th century biographers wrote, that the Sforzas hired Leonardo not as a painter nor architect, but – what might surprise us – as a musician and a party organizer of impeccable manners.
Leonardo called music a worse sister of painting, because a painting lasts forever and music has no material form. It exists only in the moment of the performance, moreover – it dies in the moment of the birth. That’s why music couldn’t stand comparison to architecture or sculpture.
None of Leonardo’s musical compositions survived, but apart from many drawings and fragments of treatises, in his notebooks there are also rebuses and... musical riddles, all written in mirror reflection. In at least 18 riddles, Leonardo da Vinci used musical notation. These musical „games” were not only notes, but they created sentences, because according to solmisation, a method created by Guido of Arezzo, every note has its own name – ‘ut’ (later replaced by a much easier to pronounce ‘do’), ‘re’, ‘mi’, ‘fa’, ‘sol’, ‘la’, ‘si’. When put into shape, with decoded meaning of the text, they turn out to be incredibly powerful, hypnotic and nostalgic melodies.
Leonardo called music a worse sister of painting, because a painting lasts forever and music has no material form. It exists only in the moment of the performance, moreover – it dies in the moment of the birth. That’s why music couldn’t stand comparison to architecture or sculpture.
None of Leonardo’s musical compositions survived, but apart from many drawings and fragments of treatises, in his notebooks there are also rebuses and... musical riddles, all written in mirror reflection. In at least 18 riddles, Leonardo da Vinci used musical notation. These musical „games” were not only notes, but they created sentences, because according to solmisation, a method created by Guido of Arezzo, every note has its own name – ‘ut’ (later replaced by a much easier to pronounce ‘do’), ‘re’, ‘mi’, ‘fa’, ‘sol’, ‘la’, ‘si’. When put into shape, with decoded meaning of the text, they turn out to be incredibly powerful, hypnotic and nostalgic melodies.
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1RE LA SOL MI FA SOL03:09
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2Trionfo de Bacco e Ariadna06:27
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3Ostinato vo’ seguire02:40
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4L’amore là sol mi fa remirare02:47
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5Dilla dal Aqua01:59
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6Un cavalier di Spagna01:26
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7Calata alla spagnola01:39
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8Venere “Vera la Schiuma”, canto ad lyram02:12
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9Romanesca – chi vuol bevere – Pesaro Ms,04:32
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10Ben venga Maggio02:38
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11Mille regretz01:42
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12L’amore mi fa solazzare00:02
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13Ingenio musicale03:39
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14Non e tempo d’aspettare02:15
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15Tant que vivray02:49
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16J’attends secours - viola organista01:36
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17J’attends secours - virginal01:42
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18L’amour, la mort et la vie02:56