Label: Challenge Classics
Format: CD
Barcode: 0608917289428
Catalog number: CC 72894
Releasedate: 05-11-21
Format: CD
Barcode: 0608917289428
Catalog number: CC 72894
Releasedate: 05-11-21
- Second disc by baroque bass-baritone Sergio Foresti on Challenge Classics
- A disc devoted to rarely if ever recorded chamber cantatas by Benedetto Marcello whose unique subject is love.
- Previous release by Sergio Foresti (Cieco Amor, CC 72875) was widely acclaimed by international press.
- American Record Guide (USA): He sings it extremely well and there aren't a lot of singers who can handle the vocal challenges and the dramatic ones as well. Toccata (DE): A musical rollercoaster of emotions! BBC Music Magazine (UK): Foresti strides majestically across his register.
- A disc devoted to rarely if ever recorded chamber cantatas by Benedetto Marcello whose unique subject is love.
- Previous release by Sergio Foresti (Cieco Amor, CC 72875) was widely acclaimed by international press.
- American Record Guide (USA): He sings it extremely well and there aren't a lot of singers who can handle the vocal challenges and the dramatic ones as well. Toccata (DE): A musical rollercoaster of emotions! BBC Music Magazine (UK): Foresti strides majestically across his register.
In the Italian society of the early eighteenth century, the musical genre of the chamber cantata was popular as a refined form of entertainment. The chamber cantata is a relatively short composition, consisting of a couple of arias with the addition of one or two recitatives. They were performed in the private ambiances of the noble circles. A performance just needed the instruments of the basso continuo (harpsichord, cello, and if wanted for example a lute) and of course an excellent voice.
The Venetian composer Benedetto Marcello (1686-1737) was one of the most prolific composers of the genre, especially in his early years between 1710 and 1720. He wrote approximately 300 cantatas of which over 20 for the bass voice. This is an exceptionally high number. The composer strived to achieve a perfect harmony between poetry and music. As such, his cantatas were an invaluable laboratory for his famous Psalms. These were admired by great composers like Rossini, Bizet, Verdi, and Chopin. Verdi especially appreciated Marcello's recitatives.
The present recording offers five chamber cantatas of Marcello for the bass voice. All the cantatas of this recording are in RARA form (Recitative-Aria-Recitative-Aria) and the arias regularly have the da capo form. The recitatives are often unpredictable in their harmonic solutions.
Like most of Marcello's cantatas, they treat the subject of love. But the lovers are not happy. They struggle with the all too human complexity of love: feelings of rejection, sadness, jealousy, hope, and mourning. Their thoughts and feelings are intended to stimulate personal reflection. For Sergio Foresti and his colleagues it was a great joy to explore this music together with its complex feelings and nuances. In the spirit of Benedetto Marcello they seek to express the words and meaning of the text in these virtuosic and beautiful compositions.
Click here for the booklet with Italian, German and French translations.
The Venetian composer Benedetto Marcello (1686-1737) was one of the most prolific composers of the genre, especially in his early years between 1710 and 1720. He wrote approximately 300 cantatas of which over 20 for the bass voice. This is an exceptionally high number. The composer strived to achieve a perfect harmony between poetry and music. As such, his cantatas were an invaluable laboratory for his famous Psalms. These were admired by great composers like Rossini, Bizet, Verdi, and Chopin. Verdi especially appreciated Marcello's recitatives.
The present recording offers five chamber cantatas of Marcello for the bass voice. All the cantatas of this recording are in RARA form (Recitative-Aria-Recitative-Aria) and the arias regularly have the da capo form. The recitatives are often unpredictable in their harmonic solutions.
Like most of Marcello's cantatas, they treat the subject of love. But the lovers are not happy. They struggle with the all too human complexity of love: feelings of rejection, sadness, jealousy, hope, and mourning. Their thoughts and feelings are intended to stimulate personal reflection. For Sergio Foresti and his colleagues it was a great joy to explore this music together with its complex feelings and nuances. In the spirit of Benedetto Marcello they seek to express the words and meaning of the text in these virtuosic and beautiful compositions.
Click here for the booklet with Italian, German and French translations.
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1Udite, amanti SF A35602:00
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2Udite, amanti SF A35605:19
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3Udite, amanti SF A35601:24
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4Udite, amanti SF A35603:54
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5Che io viva in tante pene SF A5501:45
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6Che io viva in tante pene SF A5505:38
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7Che io viva in tante pene SF A5501:24
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8Che io viva in tante pene SF A5504:02
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9Quanta pietà mi fate SF A27801:21
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10Quanta pietà mi fate SF A27807:03
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11Quanta pietà mi fate SF A27801:18
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12Quanta pietà mi fate SF A27810:26
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13Lungi, speranze SF A18201:18
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14Lungi, speranze SF A18203:03
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15Lungi, speranze SF A18201:11
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16Lungi, speranze SF A18209:41
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17Poiché fato inumano SF A25201:44
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18Poiché fato inumano SF A25204:50
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19Poiché fato inumano SF A25201:43
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20Poiché fato inumano SF A25203:24