Label: Evil Penguin
Format: CD
Barcode: 0608917723328
Catalog number: EPRC 0046
Releasedate: 11-02-22
Format: CD
Barcode: 0608917723328
Catalog number: EPRC 0046
Releasedate: 11-02-22
- intimate & human version of Brahms' Ein deutsches Requiem for piano 4 hands, soloists and choir
- in between the movements of the Requiem, Schumann's Kinderszenen
- solists as Thomas Oliemans and Sarah Wegener
- in between the movements of the Requiem, Schumann's Kinderszenen
- solists as Thomas Oliemans and Sarah Wegener
Come, come a bit closer: there he is, sitting in his study. Look over his shoulder – what is he working on so intensely? Why that sorrowful glance in his youthful eyes? First his mother, then his good friend and mentor Robert Schumann, two people very dear to him were no more...
Johannes Brahms is an icon. When you say Johannes, you know it refers to Brahms. The successor to Beethoven, the sober man who took seriousness very seriously, the chief protagonist of the classical tradition, an intimate friend of the Schumanns.
But how well do we really know Brahms? How close does he let us come to him through his music? In search of the man who was Brahms, through his Requiem and the music of his good friend Robert Schumann.
The death of his mother and his mentor Schumann, two people so close to him marked Brahms – but it also led to the creation of one of his finest works.
Bent over his writing desk, full of sorrow over his loss, Brahms wanted to write music that would nevertheless offer some support: hope for those near him, comfort for the living – and not with a sombre funeral march. Initially, he gave his composition the title Ein menschliches Requiem (A Human Requiem). The monumental composition for orchestra and choir that would become Ein deutsches Requiem (A German Requiem) lies far from that intimate beginning. But Brahms did not forget his initial plan: he even transcribed a version for piano 4 hands, soloists and choir: transparent, intimate, colourful and, most importantly, very personal.
In search of the man who was Brahms, we weave some childhood memories of his good friend Schumann in between the movements of the Requiem. In his Kinderszenen (Scenes from Childhood), Schumann in turn combined various short works that were close to his heart and through which he thought back, filled with nostalgia, to his own childhood.
Johannes Brahms is an icon. When you say Johannes, you know it refers to Brahms. The successor to Beethoven, the sober man who took seriousness very seriously, the chief protagonist of the classical tradition, an intimate friend of the Schumanns.
But how well do we really know Brahms? How close does he let us come to him through his music? In search of the man who was Brahms, through his Requiem and the music of his good friend Robert Schumann.
The death of his mother and his mentor Schumann, two people so close to him marked Brahms – but it also led to the creation of one of his finest works.
Bent over his writing desk, full of sorrow over his loss, Brahms wanted to write music that would nevertheless offer some support: hope for those near him, comfort for the living – and not with a sombre funeral march. Initially, he gave his composition the title Ein menschliches Requiem (A Human Requiem). The monumental composition for orchestra and choir that would become Ein deutsches Requiem (A German Requiem) lies far from that intimate beginning. But Brahms did not forget his initial plan: he even transcribed a version for piano 4 hands, soloists and choir: transparent, intimate, colourful and, most importantly, very personal.
In search of the man who was Brahms, we weave some childhood memories of his good friend Schumann in between the movements of the Requiem. In his Kinderszenen (Scenes from Childhood), Schumann in turn combined various short works that were close to his heart and through which he thought back, filled with nostalgia, to his own childhood.
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1KinderszenenIV. Ein bittendes Kind01:03
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2Ein deutsches RequiemI. Selig sind, die da Leid Tragen09:58
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3KinderszenenVIII. Am Kamin01:01
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4Ein deutsches RequiemII. Denn alles Fleisch, es ist wie Gras12:50
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5KinderszenenXII. Kind im Einschlummern02:12
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6Ein deutsches RequiemIII. Herr, lehre doch mich08:46
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7KinderszenenXIII. Der Dichter spricht02:23
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8Ein deutsches RequiemIV. Wie lieblich sind deine Wohnungen04:48
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9KinderszenenX. Fast zu ernst01:57
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10Ein deutsches RequiemV. Ihr habt nun Traurigkeit06:52
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11KinderszenenI. Von fremden Ländern und Menschen01:52
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12Ein deutsches RequiemVI. Denn wir haben hie keine bleibende Statt09:38
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13KinderszenenVII. Träumerei02:57
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14Ein deutsches RequiemVII. Selig sind die Toten10:13