Label: Challenge Classics
Format: CD
Barcode: 0608917290127
Catalog number: CC 72901
Releasedate: 04-03-22
Format: CD
Barcode: 0608917290127
Catalog number: CC 72901
Releasedate: 04-03-22
- First recording by Delta Piano Trio on Challenge Classics.
- Three works spanning almost a century and very different cultures, but all based on folk tunes.
- A great piece of repertoire (Dvorak), coupled with a rarely recorded work by Frank Martin and a contemporary piece by the contemporary composer Tigran Mansurian.
-"...powerful and convincing...the Delta Piano Trio delivers strongly characterized performances..." (BBC Music Magazine)
- Three works spanning almost a century and very different cultures, but all based on folk tunes.
- A great piece of repertoire (Dvorak), coupled with a rarely recorded work by Frank Martin and a contemporary piece by the contemporary composer Tigran Mansurian.
-"...powerful and convincing...the Delta Piano Trio delivers strongly characterized performances..." (BBC Music Magazine)
Quite often, a work becomes a journey of discovery towards a certain origin, translated into sound. Martin, Mansurian and Dvořák composed three such colourful works for piano trio – voyages of discovery taken here by the Delta Piano Trio through scintillating sound worlds.
When an Irish-American benefactor asked him to write a work based on Irish folk songs, Martin grasped this as an exquisite opportunity to combine two of the quests occupying him at the time – music from distant cultures and rhythm. his Trio sur des mélodies populaires irlandaises (1925) is a complex, mature and multi-layered score. The Armenian composer Tigran Mansurian (b. 1939) gives the term a deeper meaning with the idea behind his 5 Bagatelles (1985): the smallest things can have the greatest significance in life. Each bagatelle sounds like a moment when truth opens up; crystal clear while at the same time beyond our comprehension. Like many artists of the Romantic era, Czech composer Antonín Dvořák (1841-1904) let his music flourish from his deepest roots, his origins. His unique style represents a melting-pot of all sorts of characteristic elements of music and dance from his beloved Bohemia with the classical idiom. An example is the famous Piano Trio no. 4 (1891), based on the 'dumky', epic folk ballads depicting a tragic historic event. In much the same way that Martin, Mansurian and Dvořák each made their own voyages of discovery in their compositions, the Delta Piano Trio has also reached the heart of these three works.
When an Irish-American benefactor asked him to write a work based on Irish folk songs, Martin grasped this as an exquisite opportunity to combine two of the quests occupying him at the time – music from distant cultures and rhythm. his Trio sur des mélodies populaires irlandaises (1925) is a complex, mature and multi-layered score. The Armenian composer Tigran Mansurian (b. 1939) gives the term a deeper meaning with the idea behind his 5 Bagatelles (1985): the smallest things can have the greatest significance in life. Each bagatelle sounds like a moment when truth opens up; crystal clear while at the same time beyond our comprehension. Like many artists of the Romantic era, Czech composer Antonín Dvořák (1841-1904) let his music flourish from his deepest roots, his origins. His unique style represents a melting-pot of all sorts of characteristic elements of music and dance from his beloved Bohemia with the classical idiom. An example is the famous Piano Trio no. 4 (1891), based on the 'dumky', epic folk ballads depicting a tragic historic event. In much the same way that Martin, Mansurian and Dvořák each made their own voyages of discovery in their compositions, the Delta Piano Trio has also reached the heart of these three works.
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1Trio sur des mélodies populaires irlandaisesAllegro moderato04:45
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2Trio sur des mélodies populaires irlandaisesAdagio05:29
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3Trio sur des mélodies populaires irlandaisesGigue05:12
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4Five Bagatelles, for violin, cello, and pianoLargo02:36
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5Five Bagatelles, for violin, cello, and pianoModerato03:54
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6Five Bagatelles, for violin, cello, and pianoAllegro I02:44
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7Five Bagatelles, for violin, cello, and pianoAllegro II03:23
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8Five Bagatelles, for violin, cello, and pianoModerato01:42
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9Pianotrio No. 4 in E Minor, Op. 90, B. 166 “Dumky”Lento maestoso - Allegro quasi doppio movimento03:45
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10Pianotrio No. 4 in E Minor, Op. 90, B. 166 “Dumky”Poco adagio - Vivace non troppo - Vivace06:16
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11Pianotrio No. 4 in E Minor, Op. 90, B. 166 “Dumky”Andante - Vivace non troppo - Allegretto06:06
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12Pianotrio No. 4 in E Minor, Op. 90, B. 166 “Dumky”Andante moderato - Allegretto scherzando - Quasi tempo di marcia04:47
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13Pianotrio No. 4 in E Minor, Op. 90, B. 166 “Dumky”Allegro03:57
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14Pianotrio No. 4 in E Minor, Op. 90, B. 166 “Dumky”Lento maestoso04:34