Label: Challenge Classics
Format: CD
Barcode: 0608917292725
Catalog number: CC 72927
Releasedate: 07-10-22
Format: CD
Barcode: 0608917292725
Catalog number: CC 72927
Releasedate: 07-10-22
- Modern view of "Die Schatzgräber" as the second recording at all (first was in 1989)
- Composed during World War I for a better futur
- Schrekers operas reflect the situation of the early 20th century
- Schreker had an amazing success during his lifetime, but was nearly forgotten after World War II
- Reissue of the original release from 2013
- Composed during World War I for a better futur
- Schrekers operas reflect the situation of the early 20th century
- Schreker had an amazing success during his lifetime, but was nearly forgotten after World War II
- Reissue of the original release from 2013
Franz Schreker (1878-1934, austrian composer) was born in Monaco and grew up during travels across half of Europe and, after the early death of his father, the family moved to Vienna (1888) where in 1892, with the help of a scholarship, Schreker entered the Vienna Conservatory. Starting with violin studies, with Sigismund Bachrich and Arnold Rosé, he moved into the composition class of Robert Fuchs, graduating as a composer in 1900.
Schreker is well known for his operas and wrote the libretto and composed his opera "Der Schatzgräber" after the great success of "Der ferne Klang" (1912) and "Die Gezeichneten" (1918). "Der Schatzgräber", questioning the value of materialism versus love, was to prove particularly powerful in post-War Europe. After the Frankfurt premiere in January 1920, productions popped up in major cities across the continent and Schreker became one of the most performed composers of his generation. While his biggest competition Richard Strauss and Hugo von Hofmannsthal had pursued a similar path in the overtly Wagnerian "Die Frau ohne Schatten" – which opened in Vienna on 10 October 1919 – their ‘last Romantic opera’ lacked Schreker’s allegorical punch. Strauss retreated further into Gemütlichkeit, while Schreker continued to wrestle with the dilemma of being an artist in the modern world.
Synopsis
The opera is set in legendary medieval times. The queen has lost her jewels, and with them her beauty and fertility. The fool knows about Elis, a wandering minstrel whose magic lute points out all hidden treasures to him. The king promises the fool that he will be allowed to choose a wife as a reward, if Ellis can find the jewels.
Els, daughter of the innkeeper, has to marry a brutal but rich young nobleman she despises. She therefore sends him away to find the queen's jewels, and has him murdered by Albi, her servant. The minstrel Elis presents Els with an ornament he has found in the woods. Els falls in love with the young minstrel, but then the body of the dead nobleman is found in the woods; the bailiff, who wants Els for himself, arrests Elis on suspicion of murder.
Elis is to be hanged. Els seeks the advice of the fool, who promises to help. The king's messenger stops the execution at the last moment, so Elis can go in search of the ornament. To avoid being exposed, Els orders Albi to steal the minstrel's magic lute.
During a night of love, Els shows herself to Elis in the full beauty of the jewels. She hands over the jewellery to him, on condition that he will never ask her about the provenance, and will always trust her.
Elis has returned the jewels to the queen. During a celebration, the bailiff intervenes and announces that Albi has confessed to the murder. Els is denounced as the instigator of the murder, and the bailiff demands her immediate execution. But the fool reminds the king of his promise: he chooses Els as his wife and thus saves her from being executed.
One year later, Els is dying. Only the fool has remained with her. He fetches the minstrel, who sings his most beautiful ballad for Els. She dies in the minstrel's arms.
Schreker is well known for his operas and wrote the libretto and composed his opera "Der Schatzgräber" after the great success of "Der ferne Klang" (1912) and "Die Gezeichneten" (1918). "Der Schatzgräber", questioning the value of materialism versus love, was to prove particularly powerful in post-War Europe. After the Frankfurt premiere in January 1920, productions popped up in major cities across the continent and Schreker became one of the most performed composers of his generation. While his biggest competition Richard Strauss and Hugo von Hofmannsthal had pursued a similar path in the overtly Wagnerian "Die Frau ohne Schatten" – which opened in Vienna on 10 October 1919 – their ‘last Romantic opera’ lacked Schreker’s allegorical punch. Strauss retreated further into Gemütlichkeit, while Schreker continued to wrestle with the dilemma of being an artist in the modern world.
Synopsis
The opera is set in legendary medieval times. The queen has lost her jewels, and with them her beauty and fertility. The fool knows about Elis, a wandering minstrel whose magic lute points out all hidden treasures to him. The king promises the fool that he will be allowed to choose a wife as a reward, if Ellis can find the jewels.
Els, daughter of the innkeeper, has to marry a brutal but rich young nobleman she despises. She therefore sends him away to find the queen's jewels, and has him murdered by Albi, her servant. The minstrel Elis presents Els with an ornament he has found in the woods. Els falls in love with the young minstrel, but then the body of the dead nobleman is found in the woods; the bailiff, who wants Els for himself, arrests Elis on suspicion of murder.
Elis is to be hanged. Els seeks the advice of the fool, who promises to help. The king's messenger stops the execution at the last moment, so Elis can go in search of the ornament. To avoid being exposed, Els orders Albi to steal the minstrel's magic lute.
During a night of love, Els shows herself to Elis in the full beauty of the jewels. She hands over the jewellery to him, on condition that he will never ask her about the provenance, and will always trust her.
Elis has returned the jewels to the queen. During a celebration, the bailiff intervenes and announces that Albi has confessed to the murder. Els is denounced as the instigator of the murder, and the bailiff demands her immediate execution. But the fool reminds the king of his promise: he chooses Els as his wife and thus saves her from being executed.
One year later, Els is dying. Only the fool has remained with her. He fetches the minstrel, who sings his most beautiful ballad for Els. She dies in the minstrel's arms.
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1Der Schatzgräber, VorspielWas sagst du dazu?05:03
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2Der Schatzgräber, VorspielSo hört, Herr König04:13
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3Der Schatzgräber, Erster AufzugLass mich!03:28
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4Der Schatzgräber, Erster AufzugAh! Ah!02:03
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5Der Schatzgräber, Erster AufzugSoll ich?01:35
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6Der Schatzgräber, Erster AufzugMein Kind, Els?02:52
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7Der Schatzgräber, Erster AufzugHalloh, halloh!04:27
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8Der Schatzgräber, Erster AufzugSchön’ Abend01:32
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9Der Schatzgräber, Erster AufzugSo hört meinen Sang05:30
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10Der Schatzgräber, Erster AufzugKommt, kommt!04:46
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11Der Schatzgräber, Erster AufzugEls! Els!02:36
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12Der Schatzgräber, Erster AufzugDas werdet Ihr nicht tun!02:25
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13Der Schatzgräber, Zweiter AufzugZiemlich langsam02:01
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14Der Schatzgräber, Zweiter AufzugEin ödes Nest!08:00
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15Der Schatzgräber, Zweiter AufzugTibi soli peccavi01:56
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16Der Schatzgräber, Zweiter AufzugElis! - Mutter!01:53
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17Der Schatzgräber, Zweiter AufzugGenug! Macht ein Ende!01:14
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18Der Schatzgräber, Zweiter AufzugWie ich lebte, so lasst mich sterben03:23
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19Der Schatzgräber, Zweiter AufzugEr ist von Sinnen!01:29
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20Der Schatzgräber, Zweiter AufzugLasst ab von dem05:14
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21Der Schatzgräber, Zweiter AufzugEr kommt, er kommt morgen02:05
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22Der Schatzgräber, Zweiter AufzugEls! Els!03:57
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1Der Schatzgräber, Dritter AufzugKlein war ich noch03:57
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2Der Schatzgräber, Dritter AufzugEls! - Elis, endlich07:41
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3Der Schatzgräber, Dritter AufzugRubato - Ziemlich langsam01:15
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4Der Schatzgräber, Dritter AufzugGeheimnisvoll kündet die Nacht sich an03:15
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5Der Schatzgräber, Dritter AufzugKein Grauen, Freund!02:53
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6Der Schatzgräber, Dritter AufzugIch bin kein Schemen02:52
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7Der Schatzgräber, Dritter AufzugIn sanfter ruhiger Bewegung - Mehr und mehr gesteigert03:50
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8Der Schatzgräber, Dritter AufzugDu sollst mich nie fragen01:11
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9Der Schatzgräber, Dritter AufzugIn fortwährender Steigerung05:51
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10Der Schatzgräber, Dritter AufzugWas soll das?05:17
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11Der Schatzgräber, Vierter AufzugAllegro con spirito01:04
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12Der Schatzgräber, Vierter AufzugNun, Narr, du hast es gelöst!05:43
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13Der Schatzgräber, Vierter AufzugWenn Majestät geruh’n zu erlauben02:55
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14Der Schatzgräber, Vierter AufzugAm Ilsenstein in uralter Zeit06:19
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15Der Schatzgräber, Vierter AufzugWie seid Ihr töricht01:24
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16Der Schatzgräber, Vierter AufzugHalt, o König!02:58
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17Der Schatzgräber, Vierter AufzugAh! Hört auf!01:00
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18Der Schatzgräber, Vierter AufzugHa, ha! Herr König02:46
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19Der Schatzgräber, Vierter AufzugDank, Dank, Herr König02:18
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20Der Schatzgräber, Vierter AufzugKomm, komm, mein Bräutchen01:29
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21Der Schatzgräber, NachspielSehr getragen01:10
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22Der Schatzgräber, NachspielDank, dass Ihr kamt!02:53
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23Der Schatzgräber, NachspielEls! - Wer ist da?04:05
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24Der Schatzgräber, NachspielDu legst dein Köpfchen jetzt sanft zur Seit’04:01
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25Der Schatzgräber, NachspielAmen, so sei’s!01:13