Label: Challenge Classics
Format: CD
Barcode: 0608917292428
Catalog number: CC 72924
Releasedate: 07-10-22
Format: CD
Barcode: 0608917292428
Catalog number: CC 72924
Releasedate: 07-10-22
- Third disc by baritone Sergio Foresti on Challenge Classics
- The second where he is accompanied by the remarkable Abchordis Ensemble, conducted by Andrrea Buccarella
- This recording is devoted to the arias composed by Nicola Porpora, probably the greatest of the Neapolitan composers as much as the voice is concerned.
- A selection of arias of different moods and characters that ceaselessly tantalize and intrigue the listener.
A disc you can listen to with constant pleasure and commitment from start to end, thanks also to the orchestral accompaniment (and overtures) and the impeccable recording and production.
- The second where he is accompanied by the remarkable Abchordis Ensemble, conducted by Andrrea Buccarella
- This recording is devoted to the arias composed by Nicola Porpora, probably the greatest of the Neapolitan composers as much as the voice is concerned.
- A selection of arias of different moods and characters that ceaselessly tantalize and intrigue the listener.
A disc you can listen to with constant pleasure and commitment from start to end, thanks also to the orchestral accompaniment (and overtures) and the impeccable recording and production.
Born in Naples in 1686 and deceased in the same city in 1768 Nicola Antonio Porpora is today considered as one of the most important composers of his generation, as well as a fundamental point of reference for the history of eighteenth-century music.
That Porpora was an excellent writer for the human voice and an excellent singing teacher is a fact that seems to have never been forgotten over the centuries that separate us from his artistic and biographical exploit.
For Porpora and his singers vocal virtuosity was primarily a fundamental linguistic tool to communicate ideas, and not merely a display of circus tricks. There is obsessive attention to detail, an intellectually sophisticated vision of the melodic line and its relationship with the accompaniment.
Porpora is part of that generation of Neapolitan composers of birth or formation (like Leonardo Vinci and Leonardo Leo) who were largely responsible for a series of important stylistic innovations that deeply affected the contemporary Italian opera scene. These innovations were clearly exported to the international scene from the mid-1720’s and had their peak in the 1740’s.
The compilation on this CD offers the listener, in this context, an interesting benefit. It combines arias of very different characters and chronological and geographical origins. They are written for different performers in different contexts, and are part of works that belong to different genres. They are the perfect tools to show the high value of a singer as well as the composer’s ability to allure the listener’s ears to bewitch the listener’s intellect.
That Porpora was an excellent writer for the human voice and an excellent singing teacher is a fact that seems to have never been forgotten over the centuries that separate us from his artistic and biographical exploit.
For Porpora and his singers vocal virtuosity was primarily a fundamental linguistic tool to communicate ideas, and not merely a display of circus tricks. There is obsessive attention to detail, an intellectually sophisticated vision of the melodic line and its relationship with the accompaniment.
Porpora is part of that generation of Neapolitan composers of birth or formation (like Leonardo Vinci and Leonardo Leo) who were largely responsible for a series of important stylistic innovations that deeply affected the contemporary Italian opera scene. These innovations were clearly exported to the international scene from the mid-1720’s and had their peak in the 1740’s.
The compilation on this CD offers the listener, in this context, an interesting benefit. It combines arias of very different characters and chronological and geographical origins. They are written for different performers in different contexts, and are part of works that belong to different genres. They are the perfect tools to show the high value of a singer as well as the composer’s ability to allure the listener’s ears to bewitch the listener’s intellect.
-
1Il martirio di San Giovanni Nepomuceno (oratorio)Agitato da più venti07:04
-
2Il martirio di San Giovanni Nepomuceno (oratorio)Cura che di timor ti nutri e cresci…01:01
-
3Il martirio di San Giovanni Nepomuceno (oratorio)L’aureo serto e il ricco manto07:40
-
4Il Gedeone (oratorio)part II: Sinfonia03:28
-
5Il Gedeone (oratorio)O Figlio, o Gedeone…01:30
-
6Il Gedeone (oratorio)O beato, fortunato07:55
-
7L’Angelica (serenata)Oh strani agli occhi nostri…00:45
-
8L’Angelica (serenata)Folle chi sà sperar03:39
-
9David e Bersabea (oratorio)M’hai sprezzato04:21
-
10L’Agrippina (opera)Insomma il far l’amore…00:24
-
11L’Agrippina (opera)Vuole il musico la donna02:19
-
12Poro (opera)Del rivale all’aita…00:39
-
13Poro (opera)È ver che all’amo intorno06:40
-
14Dejanira, Iole, Ercole (serenata)Ouverture of the Seranata04:32
-
15Dejanira, Iole, Ercole (serenata)Idre, arpie, draghi e leoni03:56
-
16Dejanira, Iole, Ercole (serenata)Ho già la mente ingombra…00:59
-
17Dejanira, Iole, Ercole (serenata)Ombre oscure05:16