Label: Challenge Classics
Format: CD
Barcode: 0608917296525
Catalog number: CC 72965
Releasedate: 06-10-23
Format: CD
Barcode: 0608917296525
Catalog number: CC 72965
Releasedate: 06-10-23
- After her Schumann disc (CC 72867), we are glad to present a new disc by great mezzosoprano Anna Lucia Richter.
- The theme of of the disc is: Light. The repertoire encompasses eight hundred years of German Lieder.
- Gramophone on A.L.Richter: [her] bright, clean, focused tone, precise diction and keen sense of drama will be familiar from her performances in an impressively wide-ranging portfolio.
- The theme of of the disc is: Light. The repertoire encompasses eight hundred years of German Lieder.
- Gramophone on A.L.Richter: [her] bright, clean, focused tone, precise diction and keen sense of drama will be familiar from her performances in an impressively wide-ranging portfolio.
With the present programme we want to explore the history of the German Lied throughout a period spanning some 800 years, from that first light of dawn represented by the earliest music scored with modern notation - courtly love songs by Walther von der Vogelweide (1170-1230) and Oswald von Wolkenstein (1377-1445) - down to such present-day emissaries of the Lied tradition as Aribert Reimann and Wolfgang Rihm.
In between we find: J.S. Bach, Haydn, Mozart, Schubert, Mendelssohn, F.Hensel, Wolf, Berg and Eisler.
The programme is rounded off, however, by the work of a political exile, Kurt Weill: namely, Berlin im Licht. This work appears initially to be no more than a love-song to the future of the electric light bulb: “Turn on the light; so you can see what’s wrong and what is right”. The deeper meaning was soon thrown into relief by the blotting out, within a few years of its composition, of both the light and the right to which Kurt Weill aspired and Germany’s swift descent into the darkness of dictatorship and war. A spark, however, still remained.
In between we find: J.S. Bach, Haydn, Mozart, Schubert, Mendelssohn, F.Hensel, Wolf, Berg and Eisler.
The programme is rounded off, however, by the work of a political exile, Kurt Weill: namely, Berlin im Licht. This work appears initially to be no more than a love-song to the future of the electric light bulb: “Turn on the light; so you can see what’s wrong and what is right”. The deeper meaning was soon thrown into relief by the blotting out, within a few years of its composition, of both the light and the right to which Kurt Weill aspired and Germany’s swift descent into the darkness of dictatorship and war. A spark, however, still remained.
-
1Wer ist, die da durchleuchtet07:17
-
2Unter der Linden02:13
-
3Der lieben Sonnen Licht und Pracht BWV 44601:31
-
4O finstre Nacht, wann wirst du doch vergehen BWV 49202:37
-
5Die Landlust (Entfernt von Gram und Sorgen) f01:28
-
6Abendempfindung an Laura KV 52305:11
-
7Auf dem Wasser zu singen Op. 72 D 77403:27
-
8Der Zwerg Op. 22,1 D 77105:25
-
9Im Abendrot D 79905:11
-
10Frühling Op. 7,3 from Sechs Lieder Op. 701:33
-
11Neue Liebe Op. 19a,4 from: Sechs Gesänge01:58
-
12Die Fensterscheibe Op. 107,202:04
-
13Abendlied Op. 107,6 from Sechs Gesänge02:43
-
14Sommerabend Op. 85,1 from Sechs Gesänge02:33
-
15Der Feuerreiter05:38
-
16Vier Lieder für eine Singstimme mit Klavier Op. 2Aus: Dem Schmerz sein Recht02:53
-
17Vier Lieder für eine Singstimme mit Klavier Op. 2Schlafend trägt man mich01:15
-
18Vier Lieder für eine Singstimme mit Klavier Op. 2Nun ich der Riesen Stärksten überwand01:01
-
19Vier Lieder für eine Singstimme mit Klavier Op. 2Warm die Lüfte03:07
-
20Nach dem Lichtverzicht01:43
-
21Verwelkte Blumen from Vier späte Lieder02:07
-
22Und endlich stirbt die Sehnsucht doch02:25
-
23Über den Selbstmord from Hollywooder Liederbuch02:37
-
24Berlin im Licht-Song02:07
-
25Tria sunt munera03:28