Format: CD
Barcode: 0608917297027
Catalog number: CC 72970
Releasedate: 03-11-23
- We are proud to present the fifth disc by Nino Gvetadze on Challenge Classics
- After Chopin, Scott, Schumann and Beethoven, we get to Brahms
- Nino has selected three masterpieces from three different periods of Brahms’s life
- Schumann’s disc (CC 72855): BBC Music Magazine: “This is, quite simply, gorgeous.” Gramophone: ”Gvetadze’s sensitivity to Schumann’s vaunted ‘inner voices’ is unsurpassed”
The year 1860 represented a turning-point in Brahms’s life: he issued a ‘Manifesto’ in which he distanced himself from the Romanticism of the ‘New German School’ epitomised by Liszt and their association with Wagner’s music-dramas. This aesthetic change of heart placed an emphasis on hard work and craftsmanship rather than the more Romantic conception of inspiration, with Brahms taking a particular pride in being both German and a self-made man. This ethos is reflected in the Variations and Fugue on a Theme by Handel, Op. 24. Brahms’s two Rhapsodies, Op. 79 were composed in 1879 and were dedicated to his friend Elisabet von Herzogenberg. The title may lull the listener into a false sense of whimsy, when in reality these pieces are founded on clear structural designs. Three Intermezzos Op. 117: Brahms wrote of these three Intermezzos to his friend Rudolf von der Leyen, describing them as ‘Wiegenlieder meiner Schmerzen’: ‘lullabies of my sorrow’. Each has the character of a soliloquy or introspective personal reflection.
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Nino Gvetadze about this album: "Throughout his life, Brahms was influenced by those he admired: the musicians he idolized, and the women with whom he formed powerful bonds. Clara Schumann represented both, and Nino Gvetadze explores their fascinating dynamic in The Muse. Brahms’s Two Rhapsodies Op. 79 were dedicated to Elisabet von Herzogenberg, whose loss he mourned in the Intermezzos Op. 117; and he was inspired by Handel to write a phenomenal set of Variations dedicated to Clara Schumann – whose Op. 21 Romances date from a time that neither she nor Brahms would ever forget."
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1Aria01:02
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2Variation I00:56
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3Variation II. Animato00:50
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4Variation III. Dolce00:46
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5Variation IV. Risoluto00:50
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6Variation V. Espressivo01:06
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7Variation VI01:13
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8Variation VII. Con vivacita00:36
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9Variation VIII00:36
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10Variation IX. Poco sostenuto01:36
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11Variation X. Energico00:35
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12Variation XI. Dolce00:41
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13Variation XII. Soave00:46
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14Variation XIII. Largemente, ma non più01:42
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15Variation XIV. Sciolto00:39
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16Variation XV00:44
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17Variation XVI. Ma marcato00:34
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18Variation XVII. Più mosso00:35
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19Variation XVIII. Grazioso01:04
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20Variation XIX. Leggiero e vivace01:05
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21Variation XX. Legato01:18
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22Variation XXI. Dolce01:03
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23Variation XXII00:55
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24Variation XXIII. Vivace e staccato00:35
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25Variation XXIV00:36
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26Variation XXV00:39
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27Fugue05:34
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28Rhapsody no. 1 in B minor. Agitato10:28
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29Rhapsody no. 2 in G minor. Molto passionato, ma non troppo allegro06:45
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30Intermezzo no. 1 in E-Flat Major. Andante moderato05:33
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31Intermezzo no. 2 in B-flat Minor. Andante non troppo e con molto espressione05:07
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32Intermezzo no. 3 in C-sharp Minor. Andante con moto06:57
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33Romanze no. 1 in A minor. Andante05:45