Format: CD
Barcode: 0028948673063
Catalog number: AVI 4867306
Releasedate: 04-04-25
- Beethoven's SEPTET has almost the size and lenth of a symphony, but rather a character as a serenade. Written in 1799 the young Beethoven presented his ticket to enter the Vienna society.
- CONRADIN KREUTZER, a geneartion later and formost known as a opera composer, took the Beethoven Septet as a kind of blue print: also six movements, same key E flat major, identical instrumentation - but indeed a complete different piece and music.
- The seven soloists represent the WHO IS WHO from the current musician generation which better can't be done Unique!!
Famous Sisters in Spirit
Written in 1799, at the same time as the First Symphony, it reflects Beethoven’s ambition to gain a foothold in his new Viennese environment. The Septet is an experimental work with six contrasting movements – weighty as a symphony but also influenced by the lighter, more entertaining character of the serenade.
The seven musicians were able to try out the Beethoven septet repeatedly in the concert hall, but they could not draw on such experience when they recorded Kreutzer’s work for the same line-up.
Unlike Beethoven, who clearly indicates his intentions, Kreutzer allows the musicians plenty of room to emerge as soloists. This provided much food for discussion. Although that soloistic trait is undoubtedly a wonderful gift for imaginative musicians, it still requires a high degree of initiative, improvisational skill, and coordination.
Indeed, this score [also six movements; also written in E Flat Major; basicaly a similar concept like the Beethoven pieces] contains everything it needs in order to come to life; it’s just that not everything is notated. To do justice to Kreutzer's septet, to make it better known, and perhaps even to reclaim it permanently for concert repertoire, the seven musicians worked on their own version for a long time.
They ultimately brought out its numerous qualities while providing insight into its hidden layers. Combined with Beethoven's masterpiece, the result is a sound document that uncovers a buried path of music history, once more proving that unknown works are definitely worth studying, rehearsing, and performing.
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1Septet for Clarinet, Bassoon, Horn, Violin, Viola, Cello and Double Bass in E flat major, Op. 20I Adagio – Allegro con brio09:41
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2Septet for Clarinet, Bassoon, Horn, Violin, Viola, Cello and Double Bass in E flat major, Op. 20II Adagio cantabile08:28
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3Septet for Clarinet, Bassoon, Horn, Violin, Viola, Cello and Double Bass in E flat major, Op. 20III Tempo di minuetto - Trio03:06
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4Septet for Clarinet, Bassoon, Horn, Violin, Viola, Cello and Double Bass in E flat major, Op. 20IV Andante con Variazioni07:39
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5Septet for Clarinet, Bassoon, Horn, Violin, Viola, Cello and Double Bass in E flat major, Op. 20V Scherzo. Allegro molto e vivace - Trio02:55
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6Septet for Clarinet, Bassoon, Horn, Violin, Viola, Cello and Double Bass in E flat major, Op. 20VI Andante con moto alla Marcia – Presto07:00
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7SEPTET for Clarinet, Bassoon, Horn, Violin, Viola, Cello and Double Bass in E flat major, Op. 62I Adagio - Allegro10:32
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8SEPTET for Clarinet, Bassoon, Horn, Violin, Viola, Cello and Double Bass in E flat major, Op. 62II Adagio07:51
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9SEPTET for Clarinet, Bassoon, Horn, Violin, Viola, Cello and Double Bass in E flat major, Op. 62III Menuetto. Moderato - Trio03:53
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10SEPTET for Clarinet, Bassoon, Horn, Violin, Viola, Cello and Double Bass in E flat major, Op. 62IV Andante. Maestoso04:26
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11SEPTET for Clarinet, Bassoon, Horn, Violin, Viola, Cello and Double Bass in E flat major, Op. 62V Scherzo. Prestissimo - Trio03:15
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12SEPTET for Clarinet, Bassoon, Horn, Violin, Viola, Cello and Double Bass in E flat major, Op. 62VI Finale. Allegro vivace06:32